Una, an errand-boy, and a young East-Side Jewish stenographer named Bessie Kraker made up the office force of Troy Wilkins. The office was on the eighth floor of the Septimus Building, which is a lean, jerry-built, flashingly pretentious cement structure with cracking walls and dirty, tiled hallways.
The smeary, red-gold paint which hides the imperfect ironwork of its elevators does not hide the fact that they groan like lost souls, and tremble and jerk and threaten to fall. The Septimus Building is typical of at least one half of a large city. It was “run up” by a speculative builder for a “quick turn-over.” It is semi-fire-proof, but more semi than fire-proof. It stands on Nassau Street, between two portly stone buildings that try to squeeze this lanky impostor to death, but there is more cheerful whistling in its hallways than in the halls of its disapproving neighbors. Near it is City Hall Park and Newspaper Row, Wall Street and the lordly Stock Exchange, but, aside from a few dull and honest tenants like Mr. Troy Wilkins, the Septimus Building is filled with offices of fly-by-night companies—shifty promoters, mining-concerns, beauty-parlors for petty brokers, sample-shoe shops, discreet lawyers, and advertising dentists. Seven desks in one large room make up the entire headquarters of eleven international corporations, which possess, as capital, eleven hundred and thirty dollars, much embossed stationery—and the seven desks. These modest capitalists do not lease their quarters by the year. They are doing very well if they pay rent for each of four successive months. But also they do not complain about repairs; they are not fussy about demanding a certificate of moral perfection from the janitor. They speak cheerily to elevator-boys and slink off into saloons. Not all of them keep Yom Kippur; they all talk of being “broad-minded.”
Mr. Wilkins’s office was small and agitated. It consisted of two rooms and an insignificant entry-hall, in which last was a water-cooler, a postal scale, a pile of newspapers, and a morose office-boy who drew copies of Gibson girls all day long on stray pieces of wrapping-paper, and confided to Una, at least once a week, that he wanted to take a correspondence course in window-dressing. In one of the two rooms Mr. Wilkins cautiously made drawings at a long table, or looked surprised over correspondence at a small old-fashioned desk, or puffed and scratched as he planned form-letters to save his steadily waning business.
In the other room there were the correspondence-files, and the desks of Una, the chief stenographer, and of slangy East-Side Bessie Kraker, who conscientiously copied form-letters, including all errors in them, and couldn’t, as Wilkins complainingly pointed out, be trusted with dictation which included any words more difficult than “sincerely.”
From their window the two girls could see the windows of an office across the street. About once a month an interesting curly-haired youth leaned out of one of the windows opposite. Otherwise there was no view.
§ 4
Twelve o’clock, the hour at which most of the offices closed on Saturday in summer, was excitedly approaching. The office-women throughout the Septimus Building, who had been showing off their holiday frocks all morning, were hastily finishing letters, or rushing to the women’s wash-rooms to discuss with one another the hang of new skirts. All morning Bessie Kraker had kept up a monologue, beginning, “Say, lis-ten, Miss Golden, say, gee! I was goin’ down to South Beach with my gentleman friend this afternoon, and, say, what d’you think the piker had to go and get stuck for? He’s got to work all afternoon. I don’t care—I don’t care! I’m going to Coney Island with Sadie, and I bet you we pick up some fellows and do the light fantastic till one G. M. Oh, you sad sea waves! I bet Sadie and me make’em sad!”
“But we’ll be straight,” said Bessie, half an hour later, apropos of nothing. “But gee! it’s fierce to not have any good times without you take a risk. But gee! my dad would kill me if I went wrong. He reads the Talmud all the time, and hates Goys. But gee! I can’t stand it all the time being a mollycoddle. I wisht I was a boy! I’d be a’ aviator.”
Bessie had a proud new blouse with a deep V, the edges of which gaped a bit and suggested that by ingenuity one could see more than was evident at first. Troy Wilkins, while pretending to be absent-mindedly fussing about a correspondence-file that morning, had forgotten that he was much married and had peered at the V. Una knew it, and the sordidness of that curiosity so embarrassed her that she stopped typing to clutch at the throat of her own high-necked blouse, her heart throbbing. She wanted to run away. She had a vague desire to “help” Bessie, who purred at poor, good Mr. Wilkins and winked at Una and chewed gum enjoyably, who was brave and hardy and perfectly able to care for herself—an organism modified by the Ghetto to the life which still bewildered Una.
Mr. Wilkins went home at 11.17, after giving them enough work to last till noon. The office-boy chattily disappeared two minutes later, while Bessie went two minutes after that. Her delay was due to the adjustment of her huge straw hat, piled with pink roses and tufts of blue malines.