Una was at first disgusted by Phil Benson, then perplexed. He would address her in stately Shakespearean phrases which, as a boy, he had heard from the gallery of the Academy of Music. He would quote poetry at her. She was impressed when he almost silenced the library-woman, in an argument as to whether Longfellow or Whittier was the better poet, by parroting the whole of “Snow Bound.”
She fancied that Phil’s general pea-weevil aspect concealed the soul of a poet. But she was shocked out of her pleasant fabling when Phil roared at Mrs. Gray: “Say, what did the baker use this pie for? A bureau or a trunk? I’ve found three pairs of socks and a safety-pin in my slab, so far.”
Pretty Mrs. Gray was hurt and indignant, while her husband growled: “Aw, don’t pay any attention to that human phonograph, Amy. He’s got bats in his belfry.”
Una had acquired a hesitating fondness for the mute gentleness of the others, and it infuriated her that this insect should spoil their picnic. But after dinner Phil Benson dallied over to her, sat on the arm of her chair, and said: “I’m awfully sorry that I make such a bum hit with you, Miss Golden. Oh, I can see I do, all right. You’re the only one here that can understand. Somehow it seems to me—you aren’t like other women I know. There’s something—somehow it’s different. A—a temperament. You dream about higher things than just food and clothes. Oh,” he held up a deprecating hand, “don’t deny it. I’m mighty serious about it, Miss Golden. I can see it, even if you haven’t waked up to it as yet.”
The absurd part of it was that, at least while he was talking, Mr. Phil Benson did believe what he was saying, though he had borrowed all of his sentiments from a magazine story about hobohemians which he had read the night before.
He also spoke of reading good books, seeing good plays, and the lack of good influences in this wicked city.
He didn’t overdo it. He took leave in ten minutes—to find good influences in a Kelly pool-parlor on Third Avenue. He returned to his room at ten, and, sitting with his shoeless feet cocked up on his bed, read a story in Racy Yarns. While beyond the partition, about four feet from him, Una Golden lay in bed, her smooth arms behind her aching head, and worried about Phil’s lack of opportunity.
She was finding in his loud impudence a twisted resemblance to Walter Babson’s erratic excitability, and that won her, for love goes seeking new images of the god that is dead.
Next evening Phil varied his tactics by coming to dinner early, just touching Una’s hand as she was going into the dining-room, and murmuring in a small voice, “I’ve been thinking so much of the helpful things you said last evening, Miss Golden.”
Later, Phil talked to her about his longing to be a great surgeon—in which he had the tremendous advantage of being almost sincere. He walked down the hall to her room, and said good-night lingeringly, holding her hand.