Woman’s place is in the home. Una was doubtless purely perverse in competing with men for the commercial triumphs of running that gray, wet towel round and round on its clattering roller, and of wondering whether for the entire remainder of her life she would see that dead scrub-rag.
It was no less annoying a fact that Bessie and she had only one waste-basket, which was invariably at Bessie’s desk when Una reached for it.
Or that the door of the supply-cupboard always shivered and stuck.
Or that on Thursday, which is the three P.M. of the week, it seemed impossible to endure the tedium till Saturday noon; and that, invariably, her money was gone by Friday, so that Friday lunch was always a mere insult to her hunger, and she could never get her gloves from the cleaner till after Saturday pay-day.
Una knew the office to a point where it offered few beautiful surprises.
And she knew the tactics of Mr. Troy Wilkins.
All managers—“bosses”—“chiefs”—have tactics for keeping discipline; tricks which they conceive as profoundly hidden from their underlings, and which are intimately known and discussed by those underlings.... There are the bosses who “bluff,” those who lie, those who give good-fellowship or grave courtesy in lieu of wages. None of these was Mr. Wilkins. He was dully honest and clumsily paternal. But he was a roarer, a grumbler; he bawled and ordained, in order to encourage industry and keep his lambs from asking for “raises.” Thus also he tried to conceal his own mistakes; when a missing letter for which everybody had been anxiously searching was found on his own desk, instead of in the files, he would blare, “Well, why didn’t you tell me you put it on my desk, heh?” He was a delayer also and, in poker patois, a passer of the buck. He would feebly hold up a decision for weeks, then make a whole campaign of getting his office to rush through the task in order to catch up; have a form of masculine-commuter hysterics because Una and Bessie didn’t do the typing in a miraculously short time.... He never cursed; he was an ecclesiastical believer that one of the chief aims of man is to keep from saying those mystic words “hell” and “damn”; but he could make “darn it” and “why in tunket” sound as profane as a gambling-den.... There was included in Una’s duties the pretense of believing that Mr. Wilkins was the greatest single-handed villa architect in Greater New York. Sometimes it nauseated her. But often he was rather pathetic in his shaky desire to go on having faith in his superseded ability, and she would willingly assure him that his rivals, the boisterous young firm of Soule, Smith & Fissleben, were frauds.
All these faults and devices of Mr. Troy Wilkins Una knew. Doubtless he would have been astonished to hear that fact, on evenings in his plate-racked, much-raftered, highly built-in suburban dining-room, when he discoursed to the admiring Mrs. Wilkins and the mouse-like little Wilkinses on the art of office discipline; or mornings in the second smoker of the 8.16 train, when he told the other lords of the world that “these stenographers are all alike—you simply can’t get’em to learn system.”
It is not recorded whether Mr. Wilkins also knew Una’s faults—her habit of falling a-dreaming at 3.30 and trying to make it up by working furiously at 4.30; her habit of awing the good-hearted Bessie Kraker by posing as a nun who had never been kissed nor ever wanted to be; her graft of sending the office-boy out for ten-cent boxes of cocoanut candy; and a certain resentful touchiness and ladylikeness which made it hard to give her necessary orders. Mr. Wilkins has never given testimony, but he is not the villain of the tale, and some authorities have a suspicion that he did not find Una altogether perfect.