"If this were a story," said Carl, knocking the crusted snow from dead branches and dragging them toward the center of a small clearing, "the young hero from Joralemon would now remind the city gal that 'tis only among God's free hills that you can get an appetite, and then the author would say, 'Nothing had ever tasted so good as those trout, yanked from the brook and cooked to a turn on the sizzling coals. She looked at the stalwart young man, so skilfully frying the flapjacks, and contrasted him with the effeminate fops she had met on Fifth Avenue.'... But meanwhile, squaw, you'd better tear some good dry twigs off this bush for kindling."
Gathering twigs while Carl scrabbled among the roots for dry leaves, Ruth went on again with their story: "'Yes,' said the fair maid o' the wilds, obediently, bending her poor, patient back at the cruel behest of the stern man of granite.... May I put something into the story which will politely indicate how much the unfortunate lady appreciates this heavenly snow-place in contrast to the beastly city, even though she is so abominably treated?"
"Yes, but as I warned you, nothing about the effect of out-o'-doors on the appetite. All you've got to do is to watch a city broker eat fourteen pounds of steak, three pots of coffee, and four black cigars at a Broadway restaurant to realize that the effeminate city man occasionally gets up quite some appetite, too!"
"My dear," she wailed, "aside from the vulgarity of the thing—you know that no one ever admits to a real interest in food—I am so hungry that if there is any more mention of eating I shall go off in a corner and howl. You know how those adorable German Christmas stories always begin: 'Es war Weinachtsabend. Tiefer Schnee lag am Boden. Durch das Wald kam ein armes Mädchen das weinte bitterlich.' The reason why she weinted bitterlich was because her soul was hurt at being kept out of the secret of the beautiful, beautiful food that was hidden in the hero's pack. Now let's have no more imaginary menus. Let's discuss Nijinsky and the musical asses till you are ready——"
"All ready now!" he proclaimed, kneeling by the pyramid of leaves, twigs, and sticks he had been erecting. He lit a match and kindled a leaf. Fire ran through the mass and rosy light brightened the darkened snow. "By the way," he said, as with cold fingers he pulled at the straps of his pack, "I'm beginning to be afraid that we'll be a lot later getting home than we expected."
"Well, I suppose I'll go to sleep on the train, and wake up at every station and wail and make you uncomfortable, and Mason will be grieved and disapproving when I get home late, but just now I don't care. I don't! It's la belle aventure! Carl, do you realize that never in my twenty-four (almost twenty-five now!) never in all these years have I been out like this in the wilds, in the dark, not even with Phil? And yet I don't feel afraid—just terribly happy."
"You do trust me, don't you?"
"You know I do.... Yet when I realize that I really don't know you at all——!"
He had brought out, from the pack, granite-ware plates and cups, a stew-pan and a coffee-pot, a ruddied paper of meat and a can of peas, rolls, Johnny-cake, maple syrup, a screw-top bottle of cream, pasteboard boxes of salt and pepper and sugar. Lamb chops, coiled in the covered stew-pan, loudly broiled in their own fat, and to them the peas, heated in their can, were added when the coffee began to foam. He dragged a large log to the side of the fire, and Ruth, there sitting, gorged shamelessly. Carl himself did not eat reticently.
Light snow was falling now, driven by them on the rising wind. The fire, where hot coals had piled higher and higher, was a refuge in the midst of the darkness. Carl rolled up another log, for protection from the weather, and placed it at right angles to the first.