"I want to go hunting!" mourned Carl, as he trailed back into the woodshed. It seemed darker than ever and smelled of moldy chips. He bounced like an enraged chipmunk. His phlegmatic china-blue eyes filmed with tears. "Won't pile no more wood!" he declared.
Naughty he undoubtedly was. But since he knew that his father, Oscar Ericson, the carpenter, all knuckles and patched overalls and bad temper, would probably whip him for rebellion, he may have acquired merit. He did not even look toward the house to see whether his mother was watching him—his farm-bred, worried, kindly, small, flat-chested, pinch-nosed, bleached, twangy-voiced, plucky Norwegian mother. He marched to the workshop and brought a collection of miscellaneous nails and screws out to a bare patch of earth in front of the chicken-yard. They were the Nail People, the most reckless band of mercenaries the world has ever known, led by old General Door-Hinge, who was somewhat inclined to collapse in the middle, but possessed of the unusual virtue of eyes in both ends of him. He had explored the deepest cañons of the woodshed, and victoriously led his ten-penny warriors against the sumacs in the vacant lot beyond Irving Lamb's house.
Carl marshaled the Nail People, sticking them upright in the ground. After reasoning sternly with an intruding sparrow, thus did the dauntless General Door-Hinge address them:
"Men, there's a nawful big army against us, but le's die like men, my men. Forwards!"
As the veteran finished, a devastating fire of stones enfiladed the company, and one by one they fell, save for the commander himself, who bowed his grizzled wrought-steel head and sobbed, "The brave boys done their duty."
From across the lake rolled another gun-shot.
Carl dug his grimy fingers into the earth. "Jiminy! I wisht I was out hunting. Why can't I never go? I guess I'll pile the wood, but I'm gonna go seek-my-fortune after that."
Since Carl Ericson (some day to be known as "Hawk" Ericson) was the divinely restless seeker of the romance that must—or we die!—lie beyond the hills, you first see him in action; find him in the year 1893, aged eight, leading revolutions in the back yard. But equally, since this is a serious study of an average young American, there should be an indication of his soil-nourished ancestry.
Carl was second-generation Norwegian; American-born, American in speech, American in appearance, save for his flaxen hair and china-blue eyes; and, thanks to the flag-decked public school, overwhelmingly American in tradition. When he was born the "typical Americans" of earlier stocks had moved to city palaces or were marooned on run-down farms. It was Carl Ericson, not a Trowbridge or a Stuyvesant or a Lee or a Grant, who was the "typical American" of his period. It was for him to carry on the American destiny of extending the Western horizon; his to restore the wintry Pilgrim virtues and the exuberant, October, partridge-drumming days of Daniel Boone; then to add, in his own or another generation, new American aspirations for beauty.