pile of shoes and nose-guards and bicycle-pumps and broken hockey-sticks; a wall covered with such stolen signs as "East College Avenue," and "Pants Presser Ladys Garments Carefully Done," and "Dr. Sloats Liniment for Young and Old"; a broken-backed couch with a red-and-green afghan of mangy tassels; an ink-spattered wooden table, burnt in small black spots along the edges; a plaster bust of Martha Washington with a mustache added in ink; a few books; an inundation of sweaters and old hats; and a large, expensive mouth-organ—such were a few of the interesting characteristics of the room which Carl and the Turk were occupying as room-mates for sophomore year at Plato.
Most objectionable sounds came from the room constantly: the Gang's songs, suggestive laughter, imitations of cats and fowls and fog-horns. These noises were less ingenious, however, than the devices of the Gang for getting rid of tobacco-smoke, such as blowing the smoke up the stove.
Carl was happy. In this room he encouraged stammering Genie Linderbeck to become adaptable. Here he scribbled to Gertie and Ben Rusk little notes decorated with badly drawn caricatures of himself loafing. Here, with the Turk, he talked out half the night, planning future glory in engineering. Carl adored the Turk for his frankness, his lively speech, his interest in mechanics—and in Carl.
Carl was still out for football, but he was rather light for a team largely composed of one-hundred-and-eighty-pound Norwegians. He had a chance, however. He drove the banker's car two or three evenings a week and cared for the banker's lawn and furnace and cow. He still boarded at Mrs. Henkel's, as did jolly Mae Thurston, whom he took for surreptitious rides in the banker's car, after which he wrote extra-long and pleasant letters to Gertie. It was becoming harder and harder to write to Gertie, because he had, in freshman year, exhausted all the things one can say about the weather without being profane. When, in October, a new bank clerk stormed, meteor-like, the Joralemon social horizon, and became devoted to Gertie, as faithfully reported in letters from Joe Jordan, Carl was melancholy over the loss of a comrade. But he strictly confined his mourning to leisure hours—and with books, football, and chores for the banker, he was a busy young man.... After about ten days it was a relief not to have to plan letters to Gertie. The emotions that should have gone to her Carl devoted to Professor Frazer's new course in modern drama.
This course was officially announced as a study of Bernard Shaw, Ibsen, Strindberg, Pinero, Hauptmann, Sudermann, Maeterlinck, D'Annunzio, and Rostand; but unofficially announced by Professor Frazer as an attempt to follow the spirit of to-day wherever it should be found in contemporary literature. Carl and the Turk were bewildered but staunchly enthusiastic disciples of the course. They made every member of the Gang enroll in it, and discouraged inattention in the lecture-room by dexterous side-kicks.
Even to his ex-room-mate, Plain Smith, the grim and slovenly school-teacher who had called him "bub" and discouraged his confidences, Carl presented the attractions of Professor Frazer's lectures when he met him on the campus. Smith looked quizzical and "guessed" that plays and play-actin' were useless, if not actually immoral.
"Yes, but this isn't just plays, my young friend," said Carl, with a hauteur new but not exceedingly impressive to Plain Smith. "He takes up all these new stunts, all this new philosophy and stuff they have in London and Paris. There's something besides Shakespeare and the Bible!" he added, intending to be spiteful. It may be stated that he did not like Plain Smith.
"What new philosophy?"
"The spirit of brotherhood. I suppose you're too orthodox for that!"