He stopped before the House with Mysterious Shutters.
Carl had never made b'lieve fairies or princes; rather, he was in the secret world of boyhood a soldier, a trapper, or a swing-brakeman on the M. & D. R.R. But he was bespelled by the suggestion of grandeur in the iron fence and gracious trees and dark carriage-shed of the House with Shutters. It was a large, square, solid brick structure, set among oaks and sinister pines, once the home, or perhaps the mansion, of Banker Whiteley, but unoccupied for years. Leaves rotted before the deserted carriage-shed. The disregarded steps in front were seamed with shallow pools of water for days after a rain. The windows had always been darkened, but not by broad-slatted outside shutters, smeared with house-paint to which stuck tiny black hairs from the paint-brush, like the ordinary frame houses of Joralemon. Instead, these windows were masked with inside shutters haughtily varnished to a hard refined brown.
To-day the windows were open, the shutters folded; furniture was being moved in; and just inside the iron gate a frilly little girl was playing with a whitewashed conch-shell.
She must have been about ten at that time, since Carl was eight. She was a very dressy and complacent child, possessed not only of a clean white muslin with three rows of tucks, immaculate bronze boots, and a green tam-o'-shanter, but also of a large hair-ribbon, a ribbon sash, and a silver chain with a large, gold-washed, heart-shaped locket. She was softly plump, softly gentle of face, softly brown of hair, and softly pleasant of speech.
"H'lo!"
"What's your name, little boy?"
"Ain't a little boy. I'm Carl Ericson."
"Oh, are you? I'm——"
"I'm gonna have a shotgun when I'm fifteen." He shyly hurled a stone at a telegraph-pole to prove that he was not shy.