He worked straight through until almost six o’clock, and when he stopped, weary and hungry, he felt better than he had in months. He wanted to get out of the house; he was sure Helen had no intention of getting dinner, and he hoped that he might avoid a meeting with her. He listened at the door and could hear nothing; he assumed she had followed her usual practice after one of these quarrels of going out to a movie, having dinner somewhere, and going to another movie in the evening.
He went downstairs cautiously, but all was clear, and the car was still in the garage. He was grateful that Helen was too uneasy about her driving to want to cope with Los Angeles traffic if she could avoid it.
He had a quick dinner in a neighborhood restaurant and decided to find out how practical was the scheme he had worked out for his story. What he had in mind was a “perfect murder” plot, with the police themselves providing the killer’s alibi. That, in turn, was dependent on the unexpectedness of the crime, and on exact timing.
For two hours he drove about, checking times and distances, even selecting streets and routes, to prove to himself that his scheme was valid. It was more than that, it seemed perfect; he could find no flaws in it at all. He drove home in a cheerful frame of mind.
For the next two days Conway worked steadily and contentedly. He saw Helen only at lunch, and open hostilities were avoided by the fact that neither spoke a word. He became more and more optimistic over the possibilities of the story; it might even make a picture, and a movie sale would solve all his problems. By midnight of the second day he estimated he was about halfway through.
Helen came downstairs while he was having breakfast the next morning. “You’ve been giving that typewriter quite a beating,” she said.
“It’s coming along pretty well.” He realized, suddenly, that these were the first words he had spoken to anyone in three days. The added realization came that he had not missed the sound of his own voice nor of anyone else’s — especially Helen’s.
“Just let me know if you need any paper, carbons, pencils, or erasers. The noise of that typewriter is music to me, and I’d hate to have it interrupted — it might be a long time before the inspiration returned.”
The knowledge that he was working had always mollified her; apparently it still did.
“I’d better tell you that you won’t be hearing any music this morning — or maybe even this afternoon.”