Lanny would be in a position to report to his chief that the workers of Paris were bitterly discontented with their lot. Hardly had the speakers got started before the shouting began, and he was a poor speaker indeed who could not cause some auditor to rise and shake his clenched right hand in the air and shout “à bas!” somebody or something. There were no poor speakers, by that standard; they all knew their audience and how to work it into a fury, how to bring first murmurs and then hoots and jeers against bureaucrats and bemedaled militarists who feasted and danced while food was rotting in the warehouses and the poor in their dens were perishing of slow starvation.
Especial object of their hatred appeared to be Georges Clemenceau. Traitor, rat, Judas, were the mildest names they called him; for the “tiger of France” had been in his youth a communard, one of themselves, and had served a term in prison for his revolutionary activities. Now, like the other politicians, he had sold out to the capitalists, now he was a gang leader for the rich. Lanny was interested to discover that these workers knew most of the facts about Clemenceau which his father had been telling him. One of the speakers mentioned Zaharoff — and there was booing that might have brought a shudder to the Grand Officer. They knew about Clemenceau's control of the press; when the speaker said that journalists were bought and sold in Paris like rotten fish the crowd showed neither surprise nor displeasure.
Lanny was surprised to discover that his uncle was an effective orator. The sardonic, crooked smile became a furious sneer, his irony a corroding acid that destroyed whatever it touched. The painter was there to see to it that the real theme of the evening was adequately covered; he pointed out that the workers of France were not the only ones who were being starved, the same fate was being deliberately dealt to the workers of Germany, Austria, Hungary. All the workers of Europe were learning that their fate was the same and their cause the same; all were resolving that never again would they fight one another, but turn their guns against the capitalist class, the author of their sufferings, the agent of their suppression, the one real enemy of the people throughout the world. The English girl, of course, didn't know he was Lanny's uncle, and after she had listened to his tirade for a while, she exclaimed: “Oh, what a vicious person!”
IV
Lanny told himself that he was observing this réunion professionally; he was going to make a report. Every day for seven weeks and more he had been translating reports, revising reports, filing reports. And now he was going to report on the sentiments of the working classes of Paris. Should he say that they no longer had any feelings of enmity against the sales boches, but that all their fury was turned against Clemenceau and his government? Hardly that — for it was obvious that this was a special group, who had come to listen to the sort of speeches they enjoyed. And even they were not unanimous. Every now and then there were cries of dissent; a man would leap up and shout contradictions and others would howl him down. More than once there was uproar and confusion, men seizing the impromptu orator and pulling him into his seat; if he resisted, there would be fist-fighting, and perhaps chairs wielded as a convenient weapon. It appeared that much of the opposition was organized; there were groups of protestants looking for trouble. They were the Camelots du Roi, the royalists of France; their inspirer a raging journalist named Maurras, who in the paper which he edited did not hesitate to call for riots and murders.
Lanny, as he listened, kept thinking of the French revolution. Jean Marat, “friend of the people,” living in the sewers of Paris to escape his enemies, had come forth to deliver just such speeches, denouncing the aristocrats and demanding their blood. Here too one saw the tricoteuses, grandmotherly-looking old women who sat knitting, and at the same time listening attentively; every once in a while one of them would open her mouth and scream: “Mort aux traitres/” — and without missing a single stitch.
Lanny watched the faces. Sinister and dark they seemed, but full of pain, so that he was divided between fear and pity. He knew there were whole districts of Paris which were vast “cabbage patches,” in which the poor were housed in dingy, rotting buildings centuries old. They had suffered privations so that Zaharoff and his friends might have their war to the finish; and now, with production almost stopped and trade disorganized while diplomats and statesmen wrangled — could it be expected that they would not complain?
Among those packed against the walls of the salle was a youth whose violent gestures caught Lanny's attention. You could know that he was a workingman by the fact that he wore a corduroy suit and a cotton shirt with no collar or tie. His face was emaciated, unshaven, and unkempt, but there was a light in his eyes as of one seeing visions. He was so wrought up by the oratory that his lips kept moving, as if he were repeating the phrases he heard; his hands were clenched, and when at the end of a climax he shouted approval, he shook not one but both fists in the air.
Lanny tried to imagine what life must seem to a youth like that. He was about Lanny's age, but how different in his fate! He wouldn't know much about the forces which moved the world; he would know only suffering, and the fact that it was caused by those in authority, the rulers and the rich. Maybe that wasn't the truth, but he would think it was, and Lanny would have a hard time contradicting him. The well-educated young Englishwoman, whose father was a stockbroker at home, had called Jesse Blackless a “vicious person”; and maybe he was that, but all the same, Lanny knew that what his uncle was saying was true. When he raged at the Clemenceau government because it had stopped in Berne a shipment of Red Cross medical supplies intended for the ailing children in Austria, Lanny knew it had happened, and that Mr. Herbert Hoover, most conservative of businessmen, was uttering in the Hotel Crillon censure fully as severe — and far more profane.
When the meeting was over, Lanny saw the young workingman elbowing his way to the front. He went onto the stage and grabbed Jesse Blackless by the hands and shook them. The painter patted him on the back, and Lanny wondered, was this unkempt youth a friend of his uncle's, a member of his group, or just a convert, or a prospect? Lanny continued to reflect upon it, only half hearing the shocked comments of Penelope Selden, his lady friend.