Quo melius toti nemo quasi profuit orbi.
According to De Diversis (as cited by Signor Skurla) the conceit which originally identified the sculpture of the alchemist with Æsculapius is due to a Cremonese noble, Niccolò Lazziri, to whom the above lines are also attributed.
[362] ‘Sire, io sono abbastanza ricco, per non accettar ricchezze; sono re sulle mie caracche, per non cercar onori; sono cittadino libero di Ragusa mia patria, per non cercar titoli; qual memoria della sovrana vestra grazia cedetemi quest’ asciugamano.’ Skurla, op. cit. p. 16.
[363] Or Di Bona.
[364] Of Marino Caboga and his embassy Mr. Paton gives an excellent account in his Danube and the Adriatic, vol. i. p. 224, &c.
[365] D. O. M. Nicolao de Bona, Joannis filio, singularis prudentiæ senatori, qui, gravissimis Reip. temporibus, gravissimâ legatione sponte susceptâ, ad vicinum Bossinæ proregem per vim (sic) Silistriam ad Turcarum Imperatorem transmissus, ibi diuturno in carcere pro Patriæ Libertate catenatus obiit, morte ipsâ animique constantiâ immortalitatem nominis in omnem posteritatem promeritus. Hoc ex Sen. Con. monumentum honoris et memorie positum, Anno MDCLXXVIII. Underneath this is written: Qui lapis veterem Aulam Senatoriam incendio et variis casibus corruptam diu ornaverat in vestibulo ædium civicarum positus est ex Consilii Publici Sententiâ, MDCCCLXX.
[366] We experienced some difficulty in obtaining access to the Cappella delle Reliquie, as three keys have to be obtained: one from the bishop, one from the commune, and one (I think) from the Government.
[367] Progonović was commissioned to make it by the Archbishop, Timoteo Maffei, who wished to present it in person to Matthias Corvinus, but died in 1471 before he could accomplish his journey. The Archbishop left it to his grandson, who sold it to the Republic. See Skurla, op. cit. p. 100. We did not witness ourselves the effect of pouring water into the basin.
[368] I have followed Signor Skurla’s Italian rendering of the old Serbian original.
[369] I communicated this account of the refugees to the Graphic of Oct. 9, 1875, and with it the illustration of which the [frontispiece] is a reduced copy.