The whole figure is drawn with admirable verve and freedom. Fragmentary as it is, it allows us to surmise what we have lost here of a work of true Chinese genius—and at the same time to realize what we owe to the safe hiding-place the Caves of the Thousand Buddhas have provided for so many other relics of art.

INDEX

Footnotes

[1] Cf. Serindia, p. 1420. For a distinctively ‘Indian’ representation of Mañjuśrī, see below, Plate [xxvii].

[2] Cf. Serindia, Appendix E, p. 1410.

[3] See Serindia, Appendix A, pp. 1434 sqq.

[4] See particularly the painting, Ch. lv. 0023, of a.d. 864 reproduced in Plate [xvi].

[5] Cf. Serindia, pp. 850, 885, 888.

[6] See Serindia, p. 1410.