The Pipes of War / A Record of Achievements of Pipers of Scottish and Overseas Regiments during the War, 1914-18

by Sir B. G. Seton; John Grant

Rank of the Pipe Major.—On another point there is absolute unanimity of opinion, viz., the rank of the pipe major. As responsible for a band possibly numbering twenty or more pipers, the pipe major ought to have the same rank as a bandmaster. To limit the career of a piper to the possibility of becoming a pipe major with the rank of sergeant is to prevent good men accepting the position; and many a man, seeing he can hope for no advancement, leaves the pipes and returns to the ranks, thus getting a chance of rising to warrant rank.

This question of rank has a most important bearing on the interests of piping generally, and is therefore a national one. As instructor to his men the pipe major should be a first-class performer himself, and this—although the public appear to be unaware of the fact—involves long and assiduous training. It is useless asking a man to attain the necessary standard of excellence for this purpose and to offer him the pay of a sergeant in return. The consequence is pipe majors are not always the best pipers—from the professional point of view—in their units; and this ought to be remedied, even though it does cost the nation the difference between the emoluments of a warrant officer and of a sergeant in each unit.

The Appointment of "Piper."—Another necessary reform, which also has the merit of costing nothing, is the official recognition of "piper" as an appointment. In the Army "drummer" is an appointment, but a piper is a private.

One result of this is that, on mobilisation, all pipers revert to the ranks, excepting six (including the sergeant piper) per battalion. Apart altogether from the special liability to casualties among the "full pipers" when playing in action, it is evident that so small a band may, under the ordinary conditions of modern warfare, be put out of action; and then great difficulty is experienced in raising another band. In many battalions during the war this happened, sometimes more than once; and it is these battalions which are most insistent on the strength being twelve instead of six pipers.

Lowland regiments.—A grievance which cries for remedy at the hands of the War Office is the treatment of pipers in Lowland regiments. The official view appears to be that the existence of the pipes in regiments such as the Royal Scots, the K.O.S.B.'s and others is an unreasonable concession to a sentiment which is vulgarly called "Scotch," but which, though believed to be nebulous, happens to be too strong for the military reformers to ignore altogether. This view indicates ignorance of the history of the pipes and of the Lowland regiments; the one may be pardoned, the other is inexcusable.

It is absolutely certain that Lowland regiments had pipers before the existing Highland regiments were raised at all; and the pipes were a national instrument all over the Lowlands for centuries before there was any Regular Army at all.

This being so it is quite illogical that the maintenance of their pipe bands should be a greater financial burden on officers of a Lowland than of a Highland regiment. The value of the institution, from a military point of view, is the same in both; and pipe bands should be treated as part of the recognised establishment in one as in the other.

Standardisation of military pipe music.—There is one grave defect in military piping which is capable of being remedied quite easily. Anyone who knows anything of piping knows that each individual piper learns his tunes after the setting of some well-known authority, and is for ever after prepared to maintain that that version alone is the correct one. Unfortunately every battalion has its own setting for every tune played in the band and declines to admit the possibility of any other setting being used in any circumstances. Even in the case of distinctively regimental tunes, e.g. "Cabar Feidh," the two Regular battalions of the Seaforth Highlanders play—or used to play, just before the war—different settings of that tune, and a man transferred from one battalion to another had to learn the slight differences which his new unit preferred. The same remarkable individuality exists in every battalion and makes it very difficult indeed to get a number of pipe bands to play even the best-known tunes together without considerable practice.

This is quite wrong. By all means let the individual piper learn and adhere to the setting of piobaireachd by his favourite authority; but to have as many settings of an ordinary march as there are battalions in the Army is not to the advantage of piping.