From the military point of view the bagpipe has the merit of accentuating national sentiment at just those moments when the stimulus is most necessary, of rousing the "mir cath," the frenzy of battle, and of rallying men when the ideal is liable to be lost sight of in the presence of the nerve shattering realities of action.

In all these ways the company pipers have justified their existence. In the discharge of a duty which may be regarded as sentimental in the highest sense of the term, they have, literally by hundreds, made the supreme sacrifice; wherever Scottish units have fought these men have exposed themselves, unhesitatingly, recklessly, playing their companies to the attack in conditions which, as regards intensity of personal risk, have never previously been experienced. Many battalions have lost all their pipers more than once, but, as long as reinforcements were available, there has never been any difficulty in getting fresh men out of the ranks or from home to take their place; and the new men have followed the old, just as heedless, as they played their comrades forward, knowing quite well that for many of them the urlar of "Baile Inneraora" or "The March of the Cameron men" might suddenly change to the taorluath of "Cha till mi tuille."

The Germans at least, though they may not recognise the tune when they hear it in the streets of Cologne, appreciated the grim significance of piob mhor when "I hear the pibroch sounding, sounding" followed the lifting of the barrage.

The war also has afforded many instances of another function of the pipes in action. Charging the enemy at a foot pace through deep mud is after all but a "crowded hour of glorious life," which may or may not be completely or even partially successful, and men may have to be rallied when their nerves have given out under intolerable strain. Of this there have been several instances.

It must not, of course, be imagined that regimental pipers, during this or any other war, have been normally employed in playing their units to the attack; the whole condition of modern fighting makes this impossible in the same way and for the same reason that it has made impossible spectacular charges by battalions in line.

It would be a more accurate presentment of the case to say that the military piper, qua piper, normally exercises his functions behind the front line, in billets and on the line of march; and in this respect he resembles other army musicians whose duty—according to old Army Regulations of 300 years ago—is "to excite cheerfulness and alacrity in the soldier."

But, recognising all this, the peculiarity of the piper is that, in open fighting, when his unit has been committed to the attack, he often assumes the rôle which distinguishes him from all other musicians, and takes his place at the head of his company.

Instances of this during the war are innumerable, and those which are detailed below are but typical of what has occurred in every field of operations, and in most units which possessed pipers.

And if it is impossible to say too much of the regimental pipers of the British Army, it is equally so in the case of those of Overseas units, notably of the Canadians. From the point of view of the historian who wishes to demonstrate what pipers have done during this war, no more remarkable case could be selected than that of the 16th Canadian Scottish. The pipers of this distinguished battalion won one V.C., one D.C.M., one Military Medal and Bar, and eight plain Military Medals—a record which is unique. No man was put up for a decoration unless he had played his company over the top at least twice, and no piper was ever ordered to play in action—it was left to volunteers, who, it was found, had to resort to the drawing of lots to obtain the coveted privilege of playing.

The colonel of the regiment—himself a V.C.—commenting on the casualties says: "I believe the purpose of war is to win victories, and if one can do this better by encouraging certain sentiments and traditions why shouldn't it be done? The heroic and dramatic effect of a piper stoically playing his way across the ghastly modern battlefield, altogether oblivious to danger, has an extraordinary effect on the spirit and enterprise of his comrades. His example inspires all those about him."