The Little People of the Sycamore


The Little People of the Sycamore

I.

he fantastic old sycamore, standing alone on the hill, thrust out its one gaunt limb across the face of the moon. It was late April, and the buds not yet swollen to bursting. On the middle of the limb, blackly silhouetted against the golden disk, crouched a raccoon, who sniffed the spring air and scanned the moon-washed spaces. From the marshy spots at the foot of the hill, over toward the full-fed, softly rushing brook, came the high piping of the frogs, a voice of poignant, indeterminate desire.

Having reconnoitred the night to her satisfaction, the raccoon returned to a deep hole in the sycamore, and hastily touched with her pointed nose each in turn of her five, blind, furry little ones. Very little they were, half-cub, half-kitten in appearance, with their long noses, long tails, and bear-like feet. They huddled luxuriously together in the warm, dry darkness of the den, and gave little squeals in response to their mother's touch. In her absence they had been voiceless, almost moveless, lest voice or motion should betray them to an enemy.

Having satisfied herself as to the comfort of the furry children, the old raccoon nimbly descended the tree, ran lightly down the hill, and made for the nearest pool, where the frogs were piping. She was a sturdy figure, yet lithe and graceful, about the bulk of the largest cat, and with a tail almost the length of her body. Her legs, however, were much shorter and more powerful than those of a cat; and when, for a moment of wary observation, she stood still, her feet came down flatly, like those of a bear, though in running she went on her toes, light as the seed of the milkweed. Her head was much like a bear's in shape, with the nose very long and pointed; and a bar of black across the middle of her face, gave a startling intensity to her dark, keen, half-malicious eyes. Her fur, very long and thick, was of a cloudy brown; and the black rings on her gray tail stood out sharply in the moonlight. Both in expression and in movement, she showed that strange mixture of gaiety, ferocity, mischievousness, and confident sagacity, which makes the raccoon unlike in character to all the other wild kindreds.