This is the exceedingly mannered yet all the same rich and beautiful St. Catherine, St. Roch, with a boy angel, and St. Sebastian.
See Giorgione's Adrastus and Hypsipyle (Landscape with the Soldier and the Gipsy) of the Giovanelli Palace, the Venus of Dresden, the Concert Champêtre of the Louvre.
It is unnecessary in this connection to speak of the Darmstadt Venus invented by Crowe and Cavalcaselle, and to which as a type they so constantly refer. Giovanni Morelli has demonstrated with very general acceptance that this is only a late adaptation of the exquisite Venus of Dresden, which it is his greatest glory to have restored to Barbarelli and to the world.