Of all Pordenone's exterior decorations executed in Venice nothing now remains. His only works of importance in the Venetian capital are the altar-piece in S. Giovanni Elemosinario already mentioned; the San Lorenzo Giustiniani altar-piece in the Accademia delle Belle Arti; the magnificent though in parts carelessly painted Madonna del Carmelo in the same gallery; the vast St. Martin and St. Christopher in the church of S. Rocco; the Annunciation of S. Maria degli Angeli at Murano.
No. 108 in the Winter Exhibition at Burlington House in 1896. By Franceschini is no doubt meant Paolo degli Franceschi, whose portrait Titian is known to have painted. He has been identified among the figures in the foreground of the Presentation of the Virgin.
See a very interesting article, "Vittore Carpaccio—La Scuola degli Albanesi," by Dr. Gustav Ludwig, in the Archivio Storico dell' Arte for November-December 1897.