The archæology and prehistoric annals of Scotland

by Sir Daniel Wilson

Rannoch Armilla.

Returning from this digression, which more properly belongs to the succeeding section, I am fortunately able, through the kind services of Sir James Ramsay, Bart. of Banff, to present an engraving of another gold armilla, of the same type as those discovered at Largo, in Fifeshire, but found alike remote from any convenient anchorage, or from any known Norwegian settlement on the Scottish shores. It is now the property of Lady Menzies, and though inferior in point of workmanship to those found at Largo, is an exceedingly tasteful example of primitive skill. The original bears obvious traces of the rough marks of the hammer, though they interfere very little with the beautiful reflected lights which its elegant spirals produce. It was found in the north-west of Perthshire, in what is described in Chambers' Gazetteer as "the black wilderness called the Moor of Rannoch; a level tract of country sixteen or twenty miles long, and nearly as many broad, bounded by distant mountains; an open, silent, and solitary scene of desolation; an ocean of blackness and bogs, with a few pools of water, and a long dreary lake." Yet how many such evidences may it contain of an era when the Scottish bogs were luxuriant forests, and such relics were the personal ornaments of the hunters that pursued the chase through their sylvan glades, or of the maidens and matrons that awaited their return! The Rannoch armilla is of sufficient size to encircle a lady's arm; and though exhibiting unmistakable traces of the imperfectly developed art and mechanical skill of the Archaic Period, its beauty is sufficient, in the estimation of its present noble owner, to induce her frequently to wear it along with the more elaborate productions of the modern jeweller's skill. A still more beautiful armilla, of a different type, and manifestly belonging to a later and more perfectly developed era of art, was discovered in 1846, at Slateford, about three miles west from Edinburgh, during the progress of the works required in constructing the Caledonian Railway. The labourer who found it decamped immediately with his prize. It was shewn by him to the Treasurer of the Society of Antiquaries of Scotland, but while negotiations were pending for its purchase, the discoverer took fright under the apprehension of having his spoil reclaimed, and before the clue could be recovered, it was consigned to the melting-pot. It was justly described by the distinguished Danish antiquary, Mr. Worsaae, who saw it during his visit to Scotland, as a relic that would have adorned any museum in Europe. Its loss affords another painful evidence of the necessity for some modification of the Scottish law of treasure-trove, as well as for a comprehensive system for the preservation of primitive works of native art. Fortunately a fac-simile was made of it previous to its destruction, and is now preserved in the Scottish Museum. Torcs of a similar type, terminating in solid cylindrical ends, are described by Mr. Birch as not uncommon, and are referred to a late period, possibly the fourth or fifth century.[389] Unfortunately no account could be obtained of the circumstances under which the Slateford Armilla was discovered. One nearly similar, found in Cheshire, and now in the possession of Sir Philip de Grey Egerton, is engraved in Dr. Smith's "Dictionary of Greek and Roman Antiquities," with other so-called Roman relics of unquestionable native origin.

Slateford Armilla

The bronze armillæ clearly assignable to the Archaic Period are mostly of a very simple character, consisting either of solid or penannular rings, or more rarely of a thin spiral band of the metal. They are much rarer, however, in any form than those of gold. The following account of the discovery of bracelets in situ, in the parish of Glenholm, Peeblesshire, is possessed of peculiar interest, though we have to regret, as in so many other instances, the absence of more precise information. "There is a plain by the side of Tweed on which there are several mounts, apparently artificial. The proprietor had the curiosity to cause one of them to be digged, and there found the skeleton of a man, with bracelets on his arms. The body was inclosed in a stone building, with a stone cover, and nigh him was an urn."[390] In another grave opened at Westray in Orkney, a gold ring was found encircling one of the thigh-bones of the skeleton.[391] Similar examples are familiar to Scandinavian antiquaries.

The torc as well as the funicular armilla and other relics of corresponding type, though known to the Romans, were regarded by them as barbarian decorations. Like so many others of the characteristic peculiarities of the Celtæ, they are clearly traceable to an Eastern origin. The torc is introduced at Persepolis among the tribute brought to Darius; and in the mosaic of Pompeii, Darius and his officers are represented wearing it at the battle of Arbela.[392] Titus Manlius Torquatus took the golden torc from whence he derived his name from a Gaul he slew in single combat B.C. 361: and its first appearance in Italian art is round the neck of the moustached Gaulish hero, whose head forms the obverse of the As of Arminium, decorated probably according to the fashion of his country, four centuries before the Christian era. Still more interesting is its occurrence on the neck of the dying gladiator, the masterpiece of Ctesilaus. In this historic example of the torc, it is funicular with bulbous terminations, resembling one seen on the Sarcophagus of the Vigna Amendola, representing, as is believed, the exploits of the Romans over the Gauls or Britons. So far then from the torc being either Romish or Danish, it may be regarded as the most characteristic relic of primitive Celtic and Teutonic art, brought with the British Celtæ from the East centuries before the era of Rome's foundation, and familiar only to the Roman as one of the barbaric spoils which adorned the procession of a triumphant general, or marked the foreign captive that he dragged in his reluctant train.

In addition to torcs, armlets, and other ornaments for the neck and arms, metal rings of various kinds have been found in Scotland as in other countries, to which, though apparently designed for personal ornament, it is more difficult to assign an exact purpose. Several of these will fall to be described in the following section, as from their well defined characteristics more probably pertaining to the latest Pagan era; but others completely agree in their archaic style and workmanship with undoubted relics of the Bronze Period. To this class belong various bronze rings, generally with broad expanded ends overlapping each other, corresponding to a well-known class of continental antiquities, which the northern archæologists believe to have been worn about the head and entwined with the hair. Two of these, of very rude workmanship, now in the Museum of the Scottish Antiquaries, were found a few years since about 300 yards from a large cairn, in the parish of Lumphanan, Aberdeenshire, which popular local tradition affirms to mark the spot where Macbeth fell by the hand of the Thane of Fife. One of these is figured here on a small scale. Its dimensions, however, are abundantly sufficient to admit of its encircling the head, and both ends terminate in broad flattened plates, probably designed to rest on the forehead. Similar features occur in those of a later date and much more ornamental character, some of which are referred to in a future chapter. With this class also may be noted, among the relics belonging to the period in the same collection, an annulus of bronze, hollowed on the under side, measuring two and three-fourths inches in greatest diameter; and several bronze rings of various sizes, the largest three and a quarter inches in diameter, found in an urn in the parish of Kinneff, Kincardineshire.