So far as can now be ascertained, in or about the year 1817 an opening was made in the tumulus of Norrie's Law by a hawker or pedlar who frequented the district, and it is possible may have had his attention attracted to the mound by the popular tradition already referred to, which, if it then existed, could scarcely escape him in his annual rounds of the parish. A stone cist was exposed within the tumulus, containing, it is said, no bones or other indications of human remains; but either in or near it were found the silver relics, which the discoverer removed piecemeal, and sold, as opportunity offered, to various silversmiths to be melted down and destroyed. In 1839, upwards of twenty years after this remarkable discovery, the attention of Mr. George Buist of Cupar was directed to the subject, in consequence of discovering that among a few fragments of the original hoard which had been rescued by General Durham, the proprietor of the estate, there were several relics marked with the same peculiar symbols which form so singular a characteristic of the sculptured standing stones of Scotland. Mr. Buist was then engaged in investigating this remarkable class of antiquities, and to the report which he published we are chiefly indebted for the knowledge we now possess regarding "The Silver Armour of Norrie's Law." Mr. Buist, with much industry and perseverance, gathered such information as was then recoverable from persons cognizant of the discovery, and in particular obtained from the country silversmith, who had been one of the chief purchasers of the stolen treasure, the following notes of various sales, by which we obtain a very satisfactory means of estimating the great extent and value of the original deposit:—

"For the information in regard to the lost portion of the Norrie's Law armour I have been indebted to Mr. R. Robertson, jeweller, Cupar, or to individuals to whom I have been by him referred. Mr. Robertson first made a purchase of £5, subsequently two of £10, and knew of another made by some one about Edinburgh to the amount of about £20, and is under the belief that perhaps as much as that here accounted for may have been carried away, and bestowed on various uses. This, by rough computation, may, together with what remains, be reckoned not much under 400 ounces of pure bullion. Mr. Robertson has, as may be readily supposed, a peculiarly distinct recollection of the forms of the various portions of the armour procured by him, and gives a most vivid description in particular of the rich carving of the shield, the helmet, and the sword-handle, which were brought to him crushed in pieces, to permit convenient transport and concealment.... A considerable part of the armour was partially corroded, the alloy having been eaten away as if by some weak acid, exactly after the manner of that employed in certain operations of modern silversmiths. The bullion in this case was much more pure than in those cases where it remained solid and untouched. It was, in fact, reduced to the state of porous, brittle, spongy silver. The parts chiefly affected in this way were those lowest down, which seem to have suffered from long exposure to some subtle corrosive. The upper portions were fresh, compact, and entire. In them the silver was nearly the same as our present standard."[546]

The report from which the above is extracted is illustrated with lithographic drawings of the relics in the possession of General Durham, and also with representations of the shield and sword-hilt, drawn apparently from the recollections of the silversmith. But even when brought to him, crushed and broken, it must have been difficult to form a just opinion of their original appearance; and after the lapse of upwards of twenty years, any attempt to recover their precise form or details from memory must be utterly worthless. Judging indeed from the fragments which remain, it may even admit of doubt if these silver relics ever included any armour or weapons of war. In 1849, Mrs. Durham of Largo House entrusted the silver ornaments rescued by General Durham, to the care of Mr. Albert Way for exhibition at a meeting of the Archæological Institute; and through the liberality of the Council I am now enabled to avail myself of the engravings then made from them. Profound as the regret must ever be with which we refer to this discovery, it is yet no slight matter of congratulation that even these few memorials of so remarkable a sepulchral deposit remain to furnish some evidence of its character, and the period to which it belongs. They were mostly picked up by the brother-in-law of the tenant, and another person, both now deceased; having, it may be presumed, been dropped by their original discoverer in his secret and guilty haste. The inquiry instituted by Mr. Buist led to the recovery of one of the bodkins, and also of one of the engraved scale plates mentioned in the following description. It is perhaps hardly now to be hoped for that any further additions will be made to the rescued waifs of this ravished treasure.

The most interesting of the whole relics are the two leaf-shaped plates of silver, engraved with the mystic symbol of such frequent occurrence on Scottish sculptured Standing Stones. One of the monuments of this class, though destitute of the peculiar symbols here referred to, was found in fragments on the Largo estate, and through the good taste of the late General Durham, has been again reunited, and erected upon a pedestal near the spot where it was discovered. On one side it bears as usual the figure of a cross, and on the other, horsemen, dogs, and other animals, most prominent among which is the symbolic elephant frequently found on the same singular class of memorials. Though destitute of the peculiar devices which confer so great an interest on the silver relics found in its vicinity, this monument is of great value as furnishing independent evidence of the prevalence of the same arts in this locality at the dawn of the Scottish Christian Period. The two leaf-shaped plates, one of which has already been figured,[547] are almost precisely similar. On one the marginal line is wanting which appears in the representation given in the last chapter, but some indications seem to shew that it has been burnished out. The devices on both are deeply engraved, and it is possible may have been enamelled. Mr. Buist describes in his report small lozenge-shaped plates of silver, which formed part of a rich coat of scale armour; referring, there can be little doubt, to these leaf-shaped plates, both of which he has figured. The one already engraved is the size of the original, which weighs 598 grains; the other corresponds in size, but is somewhat above eighty grains lighter in weight. But there is no indication of any means of attachment so as to unite them in a suit of armour, or suspend them to the dress of the wearer. The spirally decorated bosses at the broader ends are concave on the under side, and present no appearance of having ever had anything attached to them. The original destination of these singular relics is indeed involved in the same mystery as the peculiar symbols with which they are engraved.

Next in interest to these scale plates of silver are a pair of bodkins, measuring in length rather more than six and a half inches, and engraved here the size of the originals. They are both alike, with the exception that on the reverse side of one is an imperfect indication of the Z symbol, the figure of which is interrupted by the attachment of the pin. The form of the head is peculiar, though not unique, pins of nearly similar fashion having been found in Ireland. A brass bodkin of this type, in the Museum of Trinity College, Dublin, is almost precisely the same in form and dimensions, and only differs in the ornament introduced in the front of the head.[548] Another example of the same type, found at Lagore, County Meath, is figured in the Archæological Journal.[549] It is made of bronze, and is inferior in point of workmanship, but is equally valuable from the undoubted evidence it affords of the native origin of this peculiar form of pin, and of the other relics discovered along with it. The front of the head in the Largo bodkin is beautifully chased in the same style of ornaments as the scale plates, and the central projecting stud bears a Greek cross patée, thus presented, as on the Scottish sculptured stones, in connexion with these mysterious symbols. The mode of introducing the symbol on the bodkin is peculiarly suggestive of its use as a charm. It is engraved where it was evidently not intended to be seen, and where indeed its form is by no means adapted as a decoration to the peculiar shape of the work on which it is introduced. The spiral ornaments on the opposite side are, on the contrary, arranged for effect; and though corresponding to those on the double circles of the scale plate, are suggestive only of decorative design, the same peculiar form being greatly varied in pattern, and even frequently left blank on the sculptured stones. Another smaller pin of the same class is in the Durham collection. It appears to have been jewelled, but is very imperfect. It measures one and a quarter inch in length.

Silver Bodkins, Largo

Two ornaments, described by Mr. Buist as "circles or armlets," appear to be the large ring fibulæ of a type common both as Irish and early Highland brooches. The most perfect of the two, which measures five and three-quarter inches in diameter, is represented here half the size of the original. The acus or tongue is wanting in both of them. The torquated hoop is a rare feature in such ornaments, and indeed much seldomer found in works of silver than of gold. It forms the simplest style of ornamentation, and, though by no means inelegant, corresponds very imperfectly with the fully developed style of art indicated in the other contents of the Largo tumulus, with perhaps the exception of a silver disc, figured in the Archæological Journal, half the size of the original.[550] This measures three inches in diameter, and has a central boss with a circular depression, which may not improbably have been set with a jewel of amber or stone. The torquated hoop of the silver fibula does not appear the best adapted for the free movement of the acus, but this seems rarely to have been much attended to. Where, as in these examples, the hoop is disunited, the acus is generally of great length, not infrequently measuring two, and even two and a half times the diameter of its circle. Nothing more was required for fastening such a fibula after the tongue had been passed through the dress, than to turn it slightly past the opening, for which purpose its perforation is always sufficiently wide. The revived taste for archæological pursuits has once more restored this ancient form adapted to the fashions of modern dress, and one of the most favourite Scottish patterns bears the name of the Maid of Norway's Brooch.

Ring Fibula.