[187] This is a name given to circles of standing stones in the Gaelic, from Taoursach or Tuirseach, mournful, and has been supposed to originate in the traditions of human sacrifices believed to have been offered within these inclosures. Vide Archæol. Scot. vol. i. p. 283. In the Journal of the Archæological Association (vol. ii. p. 340) a notice occurs of "a singular bowl-shaped cist and triangular cover of Bethesden limestone, found in Charing Church, Kent."
[188] Archæol. Scot. vol. i. p. 284.
[189] Smith's Life of Columba, p. 60.
[190] Ecclesiastical Architecture of Ireland, 2d edit. p. 342.
CHAPTER VIII.
PERSONAL ORNAMENTS.
There only remain to be noted the earliest traces of luxury and personal adornment contemporary with the rude weapons and implements, and the simple habitations of earth or unhewn stone, described in the previous chapters. These are scarcely less abundant than the implements of war and the chase; and some of them possess a peculiar value for us, as presenting the sole surviving memorials of female influence, and of the position woman held in the primitive social state which we desire to trace out as the true and rudimentary chronological beginning of our island history. There must necessarily be some uncertainty in any attempt to assign to the two sexes their just share of the personal ornaments found in the early tumuli, or discovered in the course of disturbing the uncultivated soil. Man, in such a primitive state as we have abundant grounds for believing the Caledonian aborigines of the Stone Period to have been, delights in assuming to himself the personal ornaments with which, in a more advanced stage of social life, he finds a higher gratification in adorning woman. It should not, therefore, excite surprise when we find ornaments which modern civilisation resigns entirely to the fair sex, such as bracelets, hair-pins, neck ornaments, and the like, mingling with the sword and the spear of the rude barbarian chief. Still, there are some ornaments, and especially bead necklaces, bracelets, and some of the smaller and more delicate armillæ, which we can hardly err in classing among female decorations. The subject, however, is well deserving of further attention, and the more so, as the evidence which is available in the case of sepulchral remains is of so satisfactory and decisive a character when reported on by competent witnesses. There can be no doubt, from the disclosures of numerous tumuli and cists, that the dead were frequently buried "in their habits as they lived," and with all their most prized personal adornments upon them, though time has made sad havoc of their funeral pomp, and scarcely allows a glimpse even of the naked skeleton that crumbles into dust under our gaze.
The rudest class of personal ornaments which are found in the sepulchral mounds, or in the safer chance depository of the bogs, are those formed of bone or horn; but they are necessarily of rare occurrence, not only from the remoteness of the period to which we conceive them to belong, but from the frail nature of the material in which they have been wrought, which, when deposited among the memorials of the dead, yields to decay not greatly less rapid than the remains it should adorn, and crumbles to dust when restored to light and air. Still some few of these fragile relics have been preserved, consisting of perforated beads of bone, horn pins, perforated animals' teeth, and other equally rude fragments of necklaces or pendants; but very few of them present much attempt at artificial decoration by means of incised ornaments or carving, such as is found to have been so extensively practised in a later age. One curious set of bone ornaments in the Scottish Museum includes a piece of ivory pierced with a square perforation, and another with a nut or button fitting into it, the clasp or fibula it may be of some robe of honour worn by a chief of the ancient race.
Ornaments of jet or shale and cannel coal, and large beads of glass and pebble, are of much more frequent occurrence in the Scottish grave-mounds, and furnish extremely interesting and varied evidence of the decorative arts of these remote ages. Many of them, however, are found under circumstances which leave no room to doubt that they belong to a period coeval with the introduction of metals, and the skill acquired in the practice of the metallurgic arts.