The lost Atlantis, and other ethnographic studies

by Sir Daniel Wilson

[74]	Antiquities of the Southern Indians, p. 225.

[75]	Primitive Industry, pp. 411-422.

[76]	Primæval Antiquities, p. 135.

[77]	Prehistoric Annals of Scotland, 1st ed. 1851, p. 214; 2d ed. vol. i.

[78]	Prehistoric Man, 3rd ed. vol. i., pp. 203-228.

V
THE ÆSTHETIC FACULTY IN ABORIGINAL RACES

The ingenious arts of the palæolithic cave-dwellers of the Vézère abundantly prove that it needed no wanderers from the cradlelands of Old World civilisation to that strange Atlantis lying in the engirdling ocean beyond the Pillars of Hercules, to engraft their artistic capacities on the “Achoriens” by whom it was peopled. The innate faculty for art has manifested itself in individuals and in nations, among widely diverse Assyrian, Egyptian, Hellenic, Arabian, and mediæval races, as in later Frank, Fleming, and Dane, with unaccountable partiality. For its absence, or very subordinate manifestation, is seen to be compatible with the highest intellectual triumphs in other directions. The arts of Britain’s Allophyliæ manifest no instinctive aim at a reproduction of familiar natural objects, such as is characteristic of some races at a very primitive stage. Nor was it till a recent generation that the stock from which Shakespeare and Newton sprung put forth its first efforts at rivalling the great masters of the Renaissance, or entering into competition with the skilled painters of the Low Countries. It is otherwise with the nations of the New World. The highest stage of civilisation attained there is a very partial one. But among the various characteristics of the American aborigines which invite attention, the very wide diffusion of an aptitude for imitative art is one that merits careful study as typical of American man. It is not, indeed, to be overlooked that if due allowance be made for the narrow range in degrees of civilisation among the races of the New World, the same diversity of racial characteristics is observable there as elsewhere. The tendency, moreover, of civilisation is to efface, or greatly to modify, such distinctions. Civilised nations habitually borrow the arts and imitate the social habits of neighbouring races, or accept some common standard of intellectual and moral pre-eminence. Nevertheless, while the capacity for imitative art is neither peculiar to the New World, nor characteristic of all its diverse nationalities, it appears to be more generally diffused among the races of America than elsewhere. It is prevalent among tribes in nearly every condition, from the rude Indian nomad, or the Eskimo, to the semi-civilised Zuñi, and the skilled metallurgists and architects of Central America and Peru.

This development of a feeling for art in savage races is at all times interesting as indicative of intellectual capacity and powers of observation, even when manifested, as it frequently is, within a very narrow range. It is by no means a general characteristic either of savage or civilised man. Yet recent archæological discoveries prove it to have been one of the earliest forms of intellectual activity among the cave-dwellers of Europe’s palæolithic dawn. The most civilised nations have differed widely in the manifestations of this æsthetic faculty. The city of Dante was the Athens of the Middle Ages in art as well as letters; while the land which gave birth to Shakespeare can scarcely be said to have had a native school of painting or sculpture till late in the eighteenth century. The like differences are observable among barbarous nations. Races are met with, to whom the drawing of a familiar object suggests no idea of the original; while others, in nearly the same stage of savage life, habitually practise the representation of natural objects in the decorative details of their implements and articles of dress, and in the carvings which furnish occupation for many leisure hours.

A special interest attaches to the disclosures of archæology relative to the prehistoric races of Europe, owing to the evidence thereby furnished of striking resemblances in their arts and conditions of life to those of uncultured races of our own day. In many respects it seems as though the present condition of some existing races of America only repeats that of Europe’s infancy. But so far as imitative art is concerned, the analogy fails when the more recent contents of the barrows, cairns, and grave mounds of prehistoric Europe are brought into comparison with those of the New World. If, indeed, we leave behind us the age of cromlechs, kistvaens, cairns, and barrows, and seek to estimate aright the disclosures of artistic ability pertaining to the far more ancient men of Europe’s Mammoth and Reindeer periods, it is otherwise. But, before reviewing the wonderfully definite glimpses thereby furnished of tribes of rude yet skilful hunters of that post-glacial world, it may be of some help, in the comparisons which they suggest, to recall impressions derived from a study of that Stone period in which the natives of the British Islands appear to have approximated, in many respects, to the Red Indian nomad of the American forest.

One little-heeded point of evidence of this correspondence, to which I long since drew attention, is to be found in the traces of artificial modification of the head-form in ancient British crania; a comparison of which with skulls recovered from Indian grave mounds helps to throw light on the habits and social life of the British Islands in prehistoric times. In illustration of this I may refer to an exploration, now of old date. In the early summer of 1851, I learned of the accidental exposure of a stone cist, in trenching a garden at Juniper Green, a few miles distant from Edinburgh, and immediately proceeded to the spot. There, under a slightly elevated knoll—the remains, in all probability, of the ancient barrow,—lay a rude sarcophagus of unhewn sandstone, within which was a male skeleton, still in good preservation. The body had been laid on its left side, with the arms folded over the breast, and the knees drawn up so as to touch the elbows. A flat water-worn stone formed the pillow, from which the skull had rolled to the bottom of the cist. Above the right shoulder stood a gracefully formed clay vase, containing only a little sand and black dust, the remains, it may be presumed, of food which it originally contained when deposited there by affectionate hands, in some long-forgotten century. It was recovered uninjured, and is now deposited, along with the skull, in the Archæological Museum of Edinburgh.