Two financiers, indifferent to the charms of chocolate, established a corner or "Bank" in the commodity. "The Bank," by barter and usurious methods, amassed a great heap of well-thumbed squares, and, when accused of rapacity, invented a scheme for the common good known as "Huntoylette." This was a game of chance similar to roulette, and for a while it completely gulfed the trusting public. In the reaction which followed, there was a rush on "The Bank," and the concern was wound up, but the promoters escaped with a large profit in candles and chocolate.
Throughout the winter months, work went on steadily even after dinner, and hours of leisure were easy to fill. Some wrote up their diaries, played games, or smoked and yarned; others read, developed photos, or imitated the weary cook and went to bed. The MacKellar Library, so called after the donor, was a boon to all, and the literature of polar exploration was keenly followed and discussed. Taste in literature varied, but among a throng of eighteen, the majority of whom were given to expressing their opinions in no uncertain terms—there were no rigid conventions in Adelie Land—every book had a value in accordance with a common standard.
There was not a dissenting voice to the charm of 'Lady Betty across the Water', and the reason for this was a special one. The sudden breath of a world of warmth and colour, richness and vivacity and astute, American freshness amid the somewhat grim attractions of an Antarctic winter was too much for every one. Lady Betty, in the realm of bright images, had a host of devoted admirers. Her influence spread beyond the Hut to the plateau itself. Three men went sledging, and to shelter themselves from the rude wind fashioned an ice-cavern, which, on account of its magical hues and rare lustre, could be none other than "Aladdin's Cave." Lady Betty found her hero in a fairy grotto of the same name.
'Lorna Doone', on the other hand, was liked by many. Still there were those who thought that John Ridd was a fool, a slow, obtuse rustic, and so on, while Lorna was too divine and angelic for this life.
'The War of the Carolinas' took the Hut by storm, but it was a "nine days' wonder" and left no permanent impression on the thinking community. Mostly, the story was voted delightfully funny, but very foolish and farcical after all. A few exclusive critics predicted for it a future.
Then there was 'The Trail of '98'. For power and blunt realism there was nothing like it, but the character of the hero was torn in the shreds of debate. There was general agreement on two points: that the portrayal of the desolate Alaskan wild had a touch of "home," and that the heroine was a "true sport."
All those who had ever hauled on the main braces, sung the topsail-halliard chanty, learned the intricate Matty Walker, the bowline-and-a-bite and a crowd of kindred knots, had a warm spot for any yarn by Jacobs. Night after night, the storeman held the audience with the humorous escapades of 'Ginger Dick', 'Sam' and 'Peter Russet'.
And lastly, there was a more serious, if divided interest in 'Virginibus Puerisque', 'Marcus Aurelius', 'The Unveiling of Lhassa'—but the list is rather interminable.
The whole world is asleep except the night-watchman, and he, having made the bread, washed a tubful of clothes, kept the fire going, observed and made notes on the aurora every fifteen minutes and the weather every half-hour, and, finally, having had a bath, indulges in buttered toast and a cup of coffee.
The Hut is dark, and a shaded burner hangs by a canvas chair in the kitchen. The wind is booming in gusts, the dogs howl occasionally in the veranda, but the night-watchman and his pipe are at peace with all men. He has discarded a heavy folio for a light romance, while the hours scud by, broken only by the observations. The romance is closed, and he steals to his bunk with a hurricane lamp and finds a bundle of letters. He knows them well, but he reads them—again!