Egyptian Ideas of the Future Life

by Sir E. A. Wallis Budge

3. "God decreeth the right."

4. "When thou makest an offering unto thy God, guard thou against the things which are an abomination unto him. Behold thou his plans with thine eye, and devote thyself to the adoration of his name. He giveth souls unto millions of forms, and him that magnifieth him doth he magnify."

5. "If thy mother raise her hands to God he will hear her prayers [and rebuke thee] ."

7. "Give thyself to God, and keep thou thyself daily for God."

Now, although the above passages prove the exalted idea which the Egyptians held of the supreme Being, they do not supply us with any of the titles and epithets which they applied to him; for these we must have recourse to the fine hymns and religious meditations which form so important a part of the "Book of the Dead." But before we quote from them, mention must be made of the neteru, i.e., the beings or existences which in some way partake of the nature or character of God, and are usually called "gods." The early nations that came in contact with the Egyptians usually misunderstood the nature of these beings, and several modern Western writers have done the same. When we examine these "gods" closely, they are found to be nothing more nor less than forms, or manifestations, or phases, or attributes, of one god, that god being Rā the Sun-god, who, it must be remembered, was the type and symbol of God. Nevertheless, the worship of the neteru by the Egyptians has been made the base of the charge of "gross idolatry" which has been brought against them, and they have been represented by some as being on the low intellectual level of savage tribes. It is certain that from the earliest times one of the greatest tendencies of the Egyptian religion was towards monotheism, and this tendency may be observed in all important texts down to the latest period; it is also certain that a kind of polytheism existed in Egypt side by side with monotheism from very early times. Whether monotheism or polytheism be the older, it is useless in our present state of knowledge to attempt to enquire. According to Tiele, the religion of Egypt was at the beginning polytheistic, but developed in two opposite directions: in the one direction gods were multiplied by the addition of local gods, and in the other the Egyptians drew nearer and nearer to monotheism. [[14]] Dr. Wiedemann takes the view that three main elements may be recognized in the Egyptian religion: (1) A solar monotheism, that is to say one god, the creator of the universe, who manifests his power especially in the sun and its operations; (2) A cult of the regenerating power of nature, which expresses itself in the adoration of ithyphallic gods, of fertile goddesses, and of a series of animals and of various deities of vegetation; (3) A perception of an anthropomorphic divinity, the life of whom in this world and in the world beyond this was typical of the ideal life of man [[15]] --this last divinity being, of course, Osiris. But here again, as Dr. Wiedemann says, it is an unfortunate fact that all the texts which we possess are, in respect of the period of the origin of the Egyptian religion, comparatively late, and therefore in them we find these three elements mixed together, along with a number of foreign matters, in such a way as to make it impossible to discover which of them is the oldest. No better example can be given of the loose way in which different ideas about a god and God are mingled in the same text than the "Negative Confession" in the hundred and twenty-fifth chapter of the Book of the Dead. Here, in the oldest copies of the passages known, the deceased says, "I have not cursed God" (1. 38), and a few lines after (1. 42) he adds, "I have not thought scorn of the god living in my city." It seems that here we have indicated two different layers of belief, and that the older is represented by the allusion to the "god of the city," in which case it would go back to the time when the Egyptian lived in a very primitive fashion. If we assume that God (who is mentioned in line 38) is Osiris, it does not do away with the fact that he was regarded as a being entirely different from the "god of the city" and that he was of sufficient importance to have one line of the "Confession" devoted to him. The Egyptian saw no incongruity in setting references to the "gods" side by side with allusions to a god whom we cannot help identifying with the Supreme Being and the Creator of the world; his ideas and beliefs have, in consequence, been sadly misrepresented, and by certain writers he has been made an object of ridicule. What, for example, could be a more foolish description of Egyptian worship than the following? "Who knows not, O Volusius of Bithynia, the sort of monsters Egypt, in her infatuation, worships. One part venerates the crocodile; another trembles before an ibis gorged with serpents. The image of a sacred monkey glitters in gold, where the magic chords sound from Memnon broken in half, and ancient Thebes lies buried in ruins, with her hundred gates. In one place they venerate sea-fish, in another river-fish; there, whole towns worship a dog: no one Diana. It is an impious act to violate or break with the teeth a leek or an onion. O holy nations! whose gods grow for them in their gardens! Every table abstains from animals that have wool: it is a crime there to kill a kid. But human flesh is lawful food." [[16]]

The epithets which the Egyptians applied to their gods also bear valuable testimony concerning the ideas which they held about God. We have already said that the "gods" are only forms, manifestations, and phases of Rā, the Sun-god, who was himself the type and symbol of God, and it is evident from the nature of these epithets that they were only applied to the "gods" because they represented some qualify or attribute which they would have applied to God had it been their custom to address Him. Let us take as examples the epithets which are applied to Hāpi the god of the Nile. The beautiful hymn [[17]] to this god opens as follows:--

"Homage to thee, O Hāpi! Thou comest forth in this land, and dost come in peace to make Egypt to live, O thou hidden one, thou guide of the darkness whensoever it is thy pleasure to be its guide. Thou waterest the fields which Rā hath created, thou makest all animals to live, thou makest the land to drink without ceasing; thou descendest the path of heaven, thou art the friend of meat and drink, thou art the giver of the grain, and thou makest every place of work to flourish, O Ptah! ... If thou wert to be overcome in heaven the gods would fall down headlong, and mankind would perish. Thou makest the whole earth to be opened (or ploughed up) by the cattle, and prince and peasant lie down to rest.... His disposition (or form) is that of Khnemu; when he shineth upon the earth there is rejoicing, for all people are glad, the mighty man (?) receiveth his meat, and every tooth hath food to consume."

After praising him for what he does for mankind and beasts, and for making the herb to grow for the use of all men, the text says:--

"He cannot be figured in stone; he is not to be seen in the sculptured images upon which men place the united crowns of the South and the North furnished with uraei; neither works nor offerings can be made to him; and he cannot be made to come forth from his secret place. The place where he liveth is unknown; he is not to be found in inscribed shrines; there existeth no habitation which can contain him; and thou canst not conceive his form in thy heart."

First we notice that Hapi is addressed by the names of Ptah and Khnemu, not because the writer thought these three gods were one, but because Hapi as the great supplier of water to Egypt became, as it were, a creative god like Ptah and Khnemu. Next we see that it is stated to be impossible to depict him in paintings, or even to imagine what his form may be, for he is unknown and his abode cannot be found, and no place can contain him. But, as a matter of fact, several pictures and sculptures of Hāpi have been preserved, and we know that he is generally depicted in the form of two gods; one has upon his head a papyrus plant, and the other a lotus plant, the former being the Nile-god of the South, and the latter the Nile-god of the North. Elsewhere he is portrayed in the form of a large man having the breasts of a woman. It is quite clear, then, that the epithets which we have quoted are applied to him merely as a form of God. In another hymn, which was a favourite in the XVIIIth and XIXth dynasties, Hāpi is called "One," and is said to have created himself; but as he is later on in the text identified with Rā the epithets which belong to the Sun-god are applied to him. The late Dr. H. Brugsch collected [[18]] a number of the epithets which are applied to the gods, from texts of all periods; and from these we may see that the ideas and beliefs of the Egyptians concerning God were almost identical with those of the Hebrews and Muhammadans at later periods. When classified these epithets read thus:--