“Fère les lais, por remembrance.”
—Marie of France.
I have added this chapter to Sir Edgar MacCulloch’s book, as I thought it a good opportunity of preserving a few of the old ballads and songs which, for generations, amused and interested our forefathers, and which now, alas, are all too surely going or gone from among us,—swept away by the irrepressible tide of vulgarity and so-called “Progress,” by which everything of ours that was beautiful, picturesque, or individual, has been destroyed. As descendants of the Celtic trouvères, menestriers, and jongleurs, as well as of the Norse Skalds, the bards from whose early songs and chants, the literature of Europe has sprung, we, Normans, should specially treasure the old poems which have been handed down for so many successive generations, and which, in the rapid extinction of the old language in which Wace, Taillefer, Walter Map, and Chrestien de Troyes sang, are doomed to oblivion.
In most places the old ballads can be divided into two classes—the Religious and the Secular. The first of these classes, except in the form of the metrical version of the Psalms by Ronsard, does not seem to have existed over here. I can find no trace of any Noëls, or of any Easter songs. The Secular songs may be divided into the Historical and the Social.
The Historical deserve precedence. The Ballade des Aragousais of which a translation has already been given, and of which I append the original, is by far the oldest and most interesting. Then comes a ballad descriptive of the Destruction of the Spanish Armada in 1588, which I found in a manuscript book compiled by a Job Mauger in 1722. In it he has copied the Dedicace des Eglises, and such poems which apparently were current in his day, and which he deemed worthy of preservation. Of his collection this is the most distinctive, and I have included it in this chapter, although it is evidently defective in parts, as these old ballads, handed down orally from generation to generation, are so apt to be. The Complaint of the dispossessed Roman Catholic Clergy, written in March, 1552, and copied into the Registers of St. Saviour’s parish in 1696 by Henry Blondel, is already in print, being included in Gustave Dupont’s Histoire du Cotentin et de ses Iles, Tome III., p. 311-313.
Job Mauger’s MSS. also comprise a long and monotonous ballad of twenty verses describing the destruction by lightning of the Tower of Castle Cornet in 1688, and various poems, conspicuous more by the loyalty of their sentiments than by the merits of their versification, on contemporary events in England, such as—“La mort du Roy Guillaume III.,” written in 1702; “Cantique Spirituel à la mémoire de la Royne Marie IIme., et sur l’oiseau qu’on voit sur son Mausolée;” “Sur la mort de son Altesse Royale Guillaume, Duc de Glocestre, decedé au Château de Windsor le 30me Juillet, 1700;” and “Vive le Roy George,” written in 1721. He also copies a “Chanson Nouvelle de l’Esclavage de Barbarie,” doggerel verses “composée par dix pauvres hommes, esclaves en Barbarie, où ils sont,” viz.: “Edouard Falla, Edouard Mauger, Phelipe le Marquand, Richard Viel, et ses camarades, Pierre le Gros et Jean Aspuine,” written in the reign of William III.
In the year 1736 the bells of the church of S. Peter Port, being no longer fit for service, were taken down for the purpose of being melted and re-cast. This circumstance gave rise to a piece of poetry composed by the Rev. Elie Dufresne, Rector of the Town parish, of which many manuscript copies are in existence.
But by far the most popular and widely known of all our local ballads is “Les vers de Catherine Deslandes,” by an unknown author, descriptive of the trial and execution for infanticide, of an unhappy woman called Catherine Deslandes in 1748. These verses have been repeatedly copied and printed, and are to be found in almost every old farm-house.