But the old 'Arrow' was to begin a second career. Bought in 1846 from a dealer by Mr. Thomas Chamberlayne for a few pounds, that gentleman had her replanked and some alterations made in the bow and run, indeed not very much more than the amidship frame seems to have been preserved. Anyway the resuscitated vessel appeared again in 1847, recommencing a career which has certainly been an extraordinary one.
In 1848 'Mosquito' was built and fairly tackled the older ship, but the 'Arrow' was not yet the boat she now is, or as represented in the plate, as it was not till 1852, and until after the advent of the 'America,' that she appeared with her present long, hollow bow, having been pulled out some 17 feet in the winter of 1851, as indeed was pretty well everything else that aspired to be in the fashion. As is often the case, the pendulum swung too far the other way; bows were built on old boats, and new boats were designed with fore bodies, altogether out-Heroding Herod; and the 'America's' graceful, well-proportioned and moderately hollow bow was caricatured in some instances to a ridiculous extent. The 'America' showed also a decided departure in form of midship section, the bottom being much straighter than in our British-built craft, and the bilge higher and quicker—altogether a fine form for stability. The run, though somewhat short, was very fair, the buttock lines especially (as will be seen by the plate given in the second volume) showing beautifully easy curves.
But the lesson hinted at by 'Menai,' reiterated by 'Mosquito' and 'Tiara,' insisted upon by Scott Russell, but only brought home to us by the American schooner, was not the only one to be gleaned from that graceful vessel. Previous to her advent, our British-made sails were most baggy productions, kept decently flat only by drenching the luffs with water, a process called 'skeating.' This defect could not altogether be laid at the door of our sailmakers, as they did fairly well, considering the material they had to work with; but flax canvas at that date was still made by hand and was little firmer in texture, if indeed as firm, as the unbleached merchant canvas of the present day. The 'America's' sails were of machine-spun cotton, and, farther, were laced to the booms as well as the gaffs and masts, the staysail also being laced to a boom. These flat sails certainly suited the easy form of the 'America'; but here again the reaction was too strong, and it is undoubtedly the fact that for some years afterwards sails were got too flat, at least, for many of the full-bodied boats that they were put over, and the want of flow of the older-fashioned loose-footed sails was sadly missed when there came to be any work off the wind.
For some years then after 1851 (the year of 'America's' début here), sails were probably flat enough for the forms they had to drive; and American sailmakers apparently arrived at this conclusion, as they first of all gave up lacing the head sails, and later cut those rounder and rounder, until now American head-sails are cut much fuller than our own, and their mainsails also somewhat fuller. But while the 'America' was undoubtedly the great epoch-making vessel in yacht designing, the cutter 'Mosquito' possessed quite as many original features, and had she only come from abroad instead of being a home production, would have made a far greater stir than the schooner.
'Mosquito,' 50 tons, 1848.
The 'Mosquito' was turned out by the Thames Iron Works Shipbuilding Company. She was designed by that great original genius, Tom Waterman, who had already produced many successful merchant steamers and sailing ships: notably the steamer 'Himalaya,' built originally for the Peninsular and Oriental Company, but afterwards sold to Her Majesty's Government for a troopship, and still a gem of the ocean and mother of the troopers.
