Cleopatra's needle

by Sir Erasmus Wilson

Watching that prince beloved who fills the throne

Of Egypt’s plains, and calls the Nile his own:

That heavenly monarch (who his foes defies),

Like Vulcan powerful, and like Pallas wise.”—Arrian.

“Even now,” writes Dean Stanley, “after all that we have seen of colossal statues, there was something stupendous in the sight of that enormous head, * * * its vast projecting wig, its great ears, its open eyes, the red colour still visible on its cheek, the immense projection of the lower part of its face. Yet what must it have been when on its head there was the royal helmet of Egypt; on its chin the royal beard; when the stone pavement, by which men approached the pyramids, ran up between its paws; when, immediately under its breast an altar stood, from which the smoke went up into the gigantic nostrils of that nose now vanished from the face, never to be conceived again.”[18]

On our left hand, as we still stand gazing forward into the south, in the direction of the coming wavelets of the tawny Nile, is a desert plain, afore-time called the “Land of Goshen,” lying between Cairo and the Suez Canal. It was here that Abraham found an abiding-place 1,920 years before the birth of Christ, when, driven out of Syria by the floods, he sought in Egypt herbage for his flocks and herds, and sustenance for his retainers. Here, in various stages of decay, are the ancient cities of the Hebrews, where Hebrew, until very recently, was the prevailing language of the people. Here we find On, or Onion, still bearing its Hebrew appellation, and Rameses and Pithom, and Succoth and Hieropolis. Nearer the Mediterranean Sea is “the field of Zoan” (Psalms, chap. lxxviii. ver. 12, 43), with the ruins of the ancient city of San, or Tanis, remarkable for the vast extent of the foundation of a once magnificent temple, teeming with monuments and obelisks. Here, says Mr. Macgregor, “you see about a dozen obelisks, all fallen, all broken; twenty or thirty great statues, all monoliths of porphyry and granite, red and grey.” Isaiah had afore-time levelled his reproaches against San:—“The princes of Zoan are become fools, the princes of Nopth (Memphis) are deceived; they have also seduced Egypt, even they that are the stay of the tribes thereof.” (Chap. xix. ver. 13.) And here was the gap through which the nations of Arabia, Syria, and Persia maintained intercourse with Egypt, one while as peaceful traders, another while as fugitives and outlaws, and again as enemies in arms. Here the shepherds or pastors made their predatory incursions, and conquered and subjected Lower Egypt; here the children of Israel began their exodus; and here, also, the Persians, the Greeks, and the Romans found an easy portal for their hostile invasion.

Eight miles away from Cairo, in the midst of a plot of sugar-cane, verdant with the luxuriance of its foliage, there stands forth against the sky a magnificent obelisk, the first that we have yet seen implanted on the spot where it was erected by its artificers. This obelisk bears the cartouche of Usertesen I.[19] (a Pharaoh of the twelfth dynasty, who ascended the throne 1,740 years before the Christian era), engraven on its face. It is not only the earliest and most ancient of all known obelisks, but it may be said to be the first page of the monumental history of Egypt: antecedent to it there is no record of monuments, save the pyramids and some ruined temples and tombs; but coeval with it, and illustrating the reign and acts of Usertesen, are the tombs of Beni Hassan, and the sanctuary, with its beautiful polygonal columns at Karnak, built by Usertesen himself.

The obelisk of Usertesen at Heliopolis, the most ancient obelisk in existence. In the background may be seen the Mokattan range of mountains, the barrier between the valley of Egypt and the Red Sea.

The cartouches of Usertesen, as seen on the obelisk, represent his first and second names: the former, which implies divinity, consists of the sun’s disk, a scarabæus, and a pair of human arms; and the oval is surmounted with two figures—a shoot of a plant and a bee, each supported on a hemisphere. These latter are royal titles, and imply the dominion of the king, or sun, over the south and the north, in addition to that part of the globe which is embraced by his own proper path, from east to west. The second oval contains the letters which constitute the word “Usertesen,” and is surmounted by a disk representing the sun and a goose, the latter being the hieroglyph for “son,” therefore, “son of the sun.” So that the entire emblem may be supposed to read thus:—“The king; born and being of the sun; son of the sun; Usertesen.”