Let me illustrate the action of the bath by a recent experience of my own, and at the same time draw attention to the proper use of the bath, and its singular power of effacing fatigue and painful sensation of every kind—among others, the imperious craving of hunger. A few weeks back, after a day of severe labour, prolonged from six in the morning until after seven at night, I arrived hungry and weary at the house of my friend, Mr. Stewart Rolland. I was expected, but was late; and, as I entered his library, dinner was being served. "Will you sit down with us," was my host's salutation, "or will you take a bath?" "The bath!" was my answer. "Ruat cœlum!"

I had only to step into the next apartment, after I had divested myself of my clothes, to find a temperature of 150°. I took my place on a couch covered with a soft Turkish sheet, and was soon covered with perspiration, first as a thick dew, and then as a dripping shower. The half-hour sand glass had nearly run out, when I entered the Lavatorium; I soaped myself thoroughly from crown to sole; I turned a tap, when a cascade of warm water poured over me, and rinsed away every particle of soap; a second tap, and I was in the midst of a sheet of cold water. The pores were now shut, and I returned to the Calidarium. A few minutes sufficed to warm the skin, and then, wrapped in a warm and dry mantle, I returned to the cooling room, and threw myself on a divan.

In twenty minutes I was dry and dressed, and in a state fitting to return to my friends, and eat with appetite and with the certainty of digestion, anything that might be set before me.

In the bath my fatigue had gone; the craving hunger which I suffered on entering had ceased; natural appetite had taken the place of morbid hunger; the tired stomach had regained its power, and was in a fitting state not only to receive whatever food was given to it, but, better still, to digest it. No wonder that the Arab of the desert prefers the bath to food, and even to sleep; it supplies the place of both.

I have portrayed Mr. Witt's bath; let me endeavour to draw a sketch of Mr. Urquhart's bath—a bath dear to the memory of all early bathers—the bath at Riverside. We arrive at the door of the Frigidarium, we loosen the latchets of our shoes, and we leave them behind the lintel; the portal opens, and we enter. The apartment is small, but it is sunny and bright; through the glass doors we see a balcony festooned with the tendrils of the rose, now leafless and out of bloom, for it is early winter; beyond the parapet of the balcony are terraces of which the rose is still the favoured ornament; further on, the rippled surface of a boisterous, noisy stream; then meadows with grazing herds and flocks, and the faithful horse; beyond, the wooded hill, arching like an eyebrow around the bright spot in which, as the apple of the eye, sparkles the bath. At our side is a dureta; over against us a reclining chair; and along the sides of the apartment a soft-cushioned divan; in mid space a sofra supporting a nargillé; while around are books, some Turkish ornaments and chibouques; we tread on the carpet of Persia and the clean, fresh, matting of India. Opposite the glass doors is an immense sheet of plate glass, through it we see marble steps, and in the depths to which these steps descend there is the reflection of the sun. Shades of Mecænas and Pliny, will ye not smile? Shade of Seneca, look not austere at the luxury of this Briton of ancient descent; who courts the rays of Phœbus, smiling through festoons of roses, to visit the deepest pool of his bath. Here he can swim, while the sun glistens in the crystal drops that linger on his skin, or makes mimic rainbows in the spray that he dashes before him in his plunging revel.

A door opens by the side of the immense barrier of glass; we enter; the door closes behind us. Then a second door; we pass through that, and we are greeted with a delightful atmosphere; experience tells us that no place of terrestrial existence can yield that soft, balmy, warm æther but one—that one, the bath. We descend two steps, and reach a platform, all of whitest marble; we become sensible of an increase of warmth to the soles of our feet as we descend, and we are glad to find soft napkins spread on the lower steps to catch our footfall. Two steps more, and then another platform: the apartment expands at this point into a large square lofty hall, and the marble platform stretches from side to side the whole breadth of the hall. We are sensible, as we stand on this platform, that we have reached the tropical line of the bath, and that at no great depth beneath our feet must be the Hypocaust. To our right is a small square tent, surrounded with scarlet hangings; this is the hottest of hots, the Spartan Laconicum; it is placed immediately over the furnace. We glance within the parting curtains of the entrance; we see a cushioned divan of tempting softness. At a later stage of our bath, we pass ten minutes in that fiery tent; its customary temperature is 240° or 250°.

On the left of our present station is another divan, not enclosed by curtains like the other, but admitting of being so if required. On this divan, at a later stage of the bath, I spent many minutes of genuine enjoyment; being farther from the furnace, but still over the meridian of the Hypocaust, it was less hot than the enclosed tent: its common temperature is 170°. "If you would like a breath of fresh air," said my host, "draw out that plug." I saw a plug just above my head, just near enough to reach by stretching out my hand. I withdrew it, not because I wanted air, but in a spirit of obedience, or, if you will, of lazy indolence. What a reward! what a delicious gush of ambrosial air! Heavens! what Sybaritic contrivance is here? I looked round for the shade of old Pliny, expecting to see him peering over my shoulder; but he was not there; the modest Roman shade was abashed, was vanquished by the modern Mecænas: the perfume was that of mignionette! Although the last of the season, enough remained to enable my fancy to judge how delicious that air must have been a month or two earlier. This was one of the ventilating-holes of the bath, and my host had brought the air that was to cool his bath from the perfumed atmosphere of a bed of mignionette. How I longed at that moment for one half-hour of summer, that I might test the other spiracles, that I might perchance inhale the breath of roses here, and violets or lilies there.

And now comes a deeper descent (four steps), and behold, I am on the floor of the bath. Still costly marble greets my tread. In the corner opposite the fiery tent is another divan; here, far removed from the torrid meridian, the temperature is still lower (about 150°), but the atmosphere is everywhere fresh: it is clear that ventilation is perfect, and there are no vapoury mists, no fleeting gauze of ghost-like moisture.

I am permitted to gaze about me for a while, when my host leads me to a small recess on the side corresponding with the couch of perfume. A curtain is withdrawn, and I perceive that the bottom of this recess is below the level of the floor, and that a marble step placed at one end breaks the descent to the bottom. The bottom, also, is peculiar: the marble slab slopes downwards to an opening, through which water finds its way into the drain. I am aware that this is the Lavaterina or Latrina—that here the novitiate is made to pass through the first ordeal of the bath. Before he entered the sacred precincts of the Apodyterium, he undid the latchets of his shoes: he left his shoes beyond the door; he brought with him none of the dust of the external world into the portals of the bath. In the Frigidarium, or rather in the Apodyterium, he left behind him his vestments, and assumed the simple garb of the inner bath. Now, and before he can claim to select his place on the divans, he pays a further tribute to the god of purity: the outer layers of his scarf-skin must be peeled away—he must yield up his skin to the ordeal of the glove, the gazul, or the soap; and then, semi-purified, he may range at will the apartment—he may explore at leisure the mysteries of the bath.