[85] See, however, a footnote in No. IX. of this volume, p. 141.
[94] Studies in Literature, 1891, p. 100.
[98] The military drum and fife band is spoken of as “the drums”; there is no such person as a fifer, he is described as a drummer.
[100a] The Elements of Musick Display’d, etc., by William Tans’ur, Senior Musico Theorico, London, 1772, p. 103.
[100b] It is a pleasure to express my indebtedness to Mr. Cockerell, Director of the Fitzwilliam Museum at Cambridge, for his kindness in searching, in my interest, for old illustrations of the pipe and tabor. I have given some account of them in an appendix to this essay.
[102a] Kemp’s Nine Daies Wonder: Performed in a Daunce from London to Norwich, by A. Dyce, Camden Society, 1840.
[102b] See Strutt’s Sports and Pastimes, Edit. 2, 1810, Plate XIV., p. 124.
[103a] Welch, Christopher. Six Lectures on the Recorder and other flutes in relation to Literature, 1911, p. 255.
[103b] Recorders used to be known as flutes, while what we call flutes were described as German or transverse flutes. Purists desire to revive this nomenclature, and would call the taborer’s pipe a flute or fipple-flute.
[104a] For details of the fingering see the appendix to this article.