The Lepchas of Sikkim have risen above the first primitive stage. They clothe themselves well and dwell in well-built houses. They do not possess for us the same essential interest as belongs to truly primitive people. But on account of their intimate knowledge of the forest and its denizens, and by reason also of their being a remarkably simple, gentle, and likeable people, they have an unusual attraction for travellers. Hooker, who was one of the first to live among them, and Claude White, who lived among them for many years, both write of them in affectionate terms. They are child-like and engaging, good-humoured, cheery and amiable, free and unrestrained. They have, too, a reputation for honesty and truthfulness.
More vigorous, capable, and virile than the Lepchas are the Nepalese, who, migrating from Nepal, are found in great numbers in this region. They are more given to agriculture than the Lepchas, and are thrifty, industrious, and resourceful. Though excitable and aggressive, they are also law-abiding.
Less numerous but prominent inhabitants of this region are the Bhutias, who consist of four classes; Bhutias, who are a mixed race of Tibetans and Lepchas; Sherpa Bhutias, who come from the east of Nepal, the word sher merely meaning "east"; the Drukpa or Dharma Bhutias, whose home is Bhutan; and the Tibetan Bhutias from Tibet. They are strong, sturdy men, merry and cheerful.
These Lepchas, Nepalese, and Bhutias are all of Mongolian origin, and therefore have the distinctively Mongolian appearance. But besides these, in Darjiling and on the tea-gardens are to be found Bengali clerks, Marwari merchants from Rajputana, Punjabi traders, Hindustani mechanics, and Chinese carpenters. And in addition to all these are British Government officials, tea-planters, and a continual stream of visitors from all parts of Europe and America, who come to Darjiling to view the snowy range.
So that in this small region may be found representatives of every grade of civilisation and a great variety of types. And what an amount of Beauty—as distinct from mere prettiness—there is to discover in even the rough local people may be seen from the pictures of the Russian painter Verestchagin, engravings from which are given in his autobiographical sketches entitled "Vassili Verestchagin." This great painter evidently succeeded in getting inside the wild peoples he loved; and his pictures reveal to us beauties we might without them never have known. In these people's gait, their attitudes, their grouping, as well as in their features, he was able to discern the hardihood, the patience, the impetuosity, the gentleness of their character, and portray it for us.
Putting aside the obvious differences between us and them, we are able to detect our fundamental identity of nature, have a fellow-feeling with them, recognise sameness between us and so see their beauty.
CHAPTER V
THE SUM IMPRESSION
The Artist has now to stand back and view the forest as a whole. And he must test his view in the light of reason—bring Truth to bear upon Beauty. The forest with its multitudinous and varied life, ranging from simplest to most cultured man, is an epitome of Nature so far as she is manifested on this planet. And he will from this epitome try to get a view of the real character of Nature. As he takes stock of the impressions which have been made upon him, he will have to form a conclusion of absolutely fundamental importance for the enjoyment of Natural Beauty.