discovered a few years back, of a very refined Norman style. He also built the palace on the north side of the cathedral, of which a most beautiful fragment remains ([Fig. 65]). This fragment, though simple, and with round arches, agrees exactly in its detail with the doorway at St. Mary’s, even to the exact diameter and height of its shafts and capitals, and was, no doubt, executed by the same persons.
Fig. 65.—Archbishop’s Palace, York.
Roger, also, as has been proved by Mr. Walbran, built the choir at Ripon, of which I give a bay ([Fig. 66]). Of the same class, and in the same diocese, may be mentioned the west end of Selby Abbey and the Church at Old Malton; Roche Abbey, and of the same date are probably the stately remains of Byland Abbey—one of the noblest relics of the age, and of which the choir was clearly built on the plan of that of Roger at York.
Fig. 67.—Ely Cathedral, South Transept. West end.
In the south I will first mention the Church of St. Cross, near Winchester, which seems to be intermediate between the above-named classes; it is Norman, of a grand and severe, but, at the same time, highly refined character, but with pointed arches to all principal parts; its foliage is untinged by French taste, but is of a very refined and elegant character; it is as massive as the earlier specimens, without their heaviness—impressive, without becoming oppressive; it is, in fact, the most perfect and the purest type of the indigenous English transition. Unfortunately, its date is unknown, for though founded in 1136, and the hospital actually commenced in that year, it is impossible to give so early a date to the church. It was founded by Henry de Blois, brother to King Stephen, who held the see of Winchester from 1129 to 1171, and it is but reasonable to suppose that the earlier parts of the church were completed during his lifetime.