The Eternal City

by Sir Hall Caine

"Adieu, Uncle David! Adieu, papa!" cried Joseph over the banisters, and the brave little voice, with its manly falsetto, was the last the men heard as they descended the stairs.

The Piazza del Popolo was densely crowded, and seemed to be twice as large as usual. Bruno elbowed a way through for himself and Rossi until they came to the obelisk in the centre of the great circle. On the steps of the obelisk a company of artillery was stationed with a piece of cannon which commanded the three principal thoroughfares of the city, the Corso, the Ripetta, and the Babunio, which branch off from that centre like the ribs from the handle of a fan. Without taking notice of the soldiers, the people ranged themselves in order and prepared for their procession. At the ringing of Ave Maria the great crowd linked in files and turned their faces towards the Corso.

Bruno walked first, carrying from his stalwart breast a standard, on which was inscribed, under the title of the "Republic of Man," the words, "Give us this day our daily bread." Rossi had meant to walk immediately behind Bruno, but he found himself encircled by a group of his followers. No sovereign was ever surrounded by more watchful guards.

By the spontaneous consent of the public, traffic in the street was suspended, and crowds of the people of the city had turned out to look on. The four tiers of the Pincian Hill were packed with spectators, and every window and balcony in the Corso was filled with faces. All the shops were shut, and many of them were barricaded within and without. A regiment of infantry was ranged along the edge of the pavement, and the people passed between two lines of rifles.

As the procession went on it was constantly augmented, and the column, which had been four abreast when it started from the Popolo, was eight abreast before it reached the end of the Corso. There were no bands of music, and there was no singing, but at intervals some one at the head of the procession would begin to clap, and then the clapping of hands would run down the street like the rattle of musketry.

Going up the narrow streets beyond the Venezia, the people passed into the Forum—out of the living city of the present into the dead city of the past, with its desolation and its silence, its chaos of broken columns and cornices, of corbels and capitals, of wells and watercourses, lying in the waste where they had been left by the earthquake which had passed over them, the earthquake of the ages—and so on through the arch of Titus to the meeting-place in the Coliseum.

All this time David Rossi's restless eyes had passed nervously from side to side. Coming down the Corso he had been dimly conscious of eyes looking at him from windows and balconies. He was struggling to be calm and firm, but he was in a furnace of dread, and beneath his breath he was praying from time to time that God would prevent accident and avert bloodshed. He was also praying for strength of spirit and feeling like a guilty coward. His face was deadly pale, the fire within seemed to consume the grosser senses, and he walked along like a man in a dream.

VI

Half-an-hour before Ave Maria, Roma had put on an inconspicuous cloak, a plain hat, and a dark veil, and walked down to the Coliseum. Soldiers were stationed on all the high ground about the circus, and large numbers of persons were already assembled inside. The people were poor and ill-clad, and they smelt of garlic and uncleanness. "His people, though," thought Roma, and so she conquered her repulsion.

Three tiers encircle the walls of the Coliseum, like the galleries of a great theatre, and the lowest of these was occupied by a regiment of Carabineers. There was some banter and chaff at the expense of the soldiers, but the people were serious for all that, and the excitement beneath their jesting was deep and strong.