"Wait, wait, wait! Somebody to show you!" cried Thora.
Then the poor victim of God knows what maleficent powers--not knowing what she did, but laughing merrily as if a song-bird had been imprisoned in her throat--began to play the old familiar trick of children; standing behind Oscar on tip-toe in order to reach, she put her hands over his eyes, and crying, "Forward, soldier!" marched him blindfold into the drawing-room and up to the place where Helga was waiting. Then, removing her hands sharply, she cried, "There!" and stood off to see the effect.
Oscar found himself face to face with a girl as unlike Thora as could be, tall, dark, with hair parted at the side and hanging over the forehead, dressed in a light silk blouse and silver-grey skirt, and having an odor of violets about her.
"Helga! Can it be possible?"
He stretched out his hand and Helga took it, and held it, and so they stood for some moments, while Thora, breathing rapidly, watched the changing lights in their faces: in Oscar's, astonishment, admiration, and rapture: in Helga's, curiosity, satisfaction, and delight. And Thora's own face, too--to the pitying angels who alone were looking at it--showed expressions just as various: pride, joy, then uneasiness, and finally a little twinge of secret pain.
To relieve this feeling, Thora burst into laughter, and then everybody laughed, and Aunt Margret came into the room with the chocolate and cakes.
"So you've brought them together again, Thora?" said Aunt Margret, and Thora swallowed a lump in her throat and answered, "Yes."
Then Oscar and Helga went over to the window and talked together with great animation. Thora heard snatches of their conversation as she carried round the cups. It was about things of which she knew nothing--Denmark, Copenhagen, England, London, Oxford, the English theater, the Danish theater, and, above all, music, music, music.
"How well they get along," said Thora.
"Trust them for that," said Aunt Margret.