there are fifty persons who take out patents for supposed inventions for one who makes a real discovery.
Phil.—The information we have already received from you proves to me that chemistry has been your favourite pursuit. I am surprised at this. The higher-mathematics and pure physics appear to me to offer much more noble objects of contemplation and fields of discovery, and, practically considered, the results of the chemist are much more humble, belonging principally to the apothecary’s shop and the kitchen.
Eub.—I feel disposed to join you in attacking this favourite study of our friend, but merely to provoke him to defend it. I wish our attack would induce him to vindicate his science, and that we might enjoy a little of the sport of literary gladiators, at least, in order to call forth his skill and awaken his eloquence.
The Unknown.—I have no objection. Let there be a fair discussion; remember we fight only with foils, and the point of mine shall be covered with velvet. In your attack upon chemistry, Philalethes, you limited the use of it to the apothecary’s shop and the kitchen. The first is an equivocal use; by introducing it into the kitchen you make it an art fundamental to all others. But if what you had stated had really meant to be serious, it would not have deserved a reply; as it is in mere playfulness, it shall not be thrown away. I want eloquence, however, to adorn my subject, yet it is sufficiently exciting even to awaken feeling. Persons in general look at the magnificent fabric of civilized society as the result of the accumulated labour, ingenuity, and enterprise of man through a long course of ages, without attempting to define
what has been owing to the different branches of human industry and science; and usually attribute to politicians, statesmen, and warriors a much greater share than really belongs to them in the work: what they have done is in reality little. The beginning of civilization is the discovery of some useful arts by which men acquire property, comforts, or luxuries. The necessity or desire of preserving them leads to laws and social institutions. The discovery of peculiar arts gives superiority to particular nations; and the love of power induces them to employ this superiority to subjugate other nations, who learn their arts, and ultimately adopt their manners; so that in reality the origin, as well as the progress and improvement, of civil society is founded in mechanical and chemical inventions. No people have ever arrived at any degree of perfection in their institutions who have not possessed in a high degree the useful and refined arts. The comparison of savage and civilized man, in fact, demonstrates the triumph of chemical and mechanical philosophy as the causes not only of the physical, but ultimately even of moral improvement. Look at the condition of man in the lowest state in which we are acquainted with him. Take the native of New Holland, advanced only a few steps above the animal creation, and that principally by the use of fire; naked, defending himself against wild beasts or killing them for food only by weapons made of wood hardened in the fire, or pointed with stones or fish bones; living only in holes dug out of the earth, or in huts rudely constructed of a few branches of trees covered with grass; having no approach to the enjoyment of luxuries or even comforts; unable to provide for his
most pressing wants; having a language scarcely articulate, relating only to the great objects of nature, or to his most pressing necessities or desires, and living solitary or in single families, unacquainted with religion, government, or laws, submitted to the mercy of nature or the elements. How different is man in his highest state of cultivation; every part of his body covered with the products of different chemical and mechanical arts made not only useful in protecting him from the inclemency of the seasons but combined in forms of beauty and variety; creating out of the dust of the earth from the clay under his feet instruments of use and ornament; extracting metals from the rude ore and giving to them a hundred different shapes for a thousand different purposes; selecting and improving the vegetable productions with which he covers the earth; not only subduing but taming and domesticating the wildest, the fleetest, and the strongest inhabitants of the wood, the mountain, and the air; making the winds carry him on every part of the immense ocean; and compelling the elements of air, water, and even fire as it were to labour for him; concentrating in small space materials which act as the thunderbolt, and directing their energies so as to destroy at immense distances; blasting the rock, removing the mountain, carrying water from the valley to the hill; perpetuating thought in imperishable words, rendering immortal the exertion of genius, and presenting them as common property to all awakening minds, becoming as it were the true image of divine intelligence receiving and bestowing the breath of life in the influence of civilization.
Eub.—Really you are in the poetical, not the chemical
chair, or rather on the tripod. We claim from you some accuracy of detail, some minute information, some proofs of what you assert. What you attribute to the chemical and mechanical arts, we might with the same propriety attribute to the fine arts, to letters, to political improvement, and to those inventions of which Minerva and Apollo and not Vulcan are the patrons.
The Unknown.—I will be more minute. You will allow that the rendering skins insoluble in water by combining with them the astringent principle of certain vegetables is a chemical invention, and that without leather, our shoes, our carriages, our equipages would be very ill made; you will permit me to say, that the bleaching and dying of wool and silk, cotton, and flax, are chemical processes, and that the conversion of them into different clothes is a mechanical invention; that the working of iron, copper, tin, and lead, and the other metals, and the combining them in different alloys by which almost all the instruments necessary for the turner, the joiner, the stone-mason, the ship-builder, and the smith are made, are chemical inventions; even the press, to the influence of which I am disposed to attribute as much as you can do, could not have existed in any state of perfection without a metallic alloy; the combining of alkali and sand, and certain clays and flints together to form glass and porcelain is a chemical process; the colours which the artist employs to frame resemblances of natural objects, or to create combinations more beautiful than ever existed in Nature, are derived from chemistry; in short, in every branch of the common and fine arts, in every department of human industry,
the influence of this science is felt, and we may find in the fable of Prometheus taking the flame from heaven to animate his man of clay an emblem of the effects of fire in its application to chemical purposes in creating the activity and almost the life of civil society.