Observatory, Quebec, Feb. 23rd, 1876.

OUR CITY BELLS—THEIR NAMES.

1st. Bell, Louise; 2nd, Olivier Geneviève; 3rd, Pierre Marie; 4th, Marie- Joseph-Louise-Marguerite; 5th, Jean-Olivier, &c.

"Now, on the gentle breath of morn,
Once more I hear that chiming bell,
As onward, slow, each note is borne,
Like echo's lingering, last farewell."
(The Evening Bells, of the General Hospitals:
by ADAM KIDD.—1829.)

"Quebec Bells are an institution of the present and of the past:" so says every Tourist. To the weary and drowsy traveller, steeped at dawn in that "sweet restorer, balmy sleep," under the silent eaves of the St. Louis or Stadacona hotel, this is one of the features of our city life, at times unwelcome. We once heard a hardened old tourist savagely exclaim, "Preserve me against the silvery voice of Quebec Evening Belles, I rather like your early Morning Bells." Another tourist, however, in one of our periodicals closes a lament over Quebec "Bell Ringing," with the caustic enquiry "Should not Bell Bingers be punished?"

Being more cosmopolitan in our tastes, we like the music of our City Bells in the dewy morn, without fearing the merry tones of our City Belles, when the silent shades of evening lends them its witchery. There is certainly as much variety in the names as there is in the chimes of our Quebec Bells.

Though the Bells of the "ancient capital" are famous in history and song, Quebec cannot boast of any such monsters of sound as the "Gros Bourdon" of Montreal—weighing 29,400 lbs., dating from 1847, "the largest bell in America." The R. C. Cathedral in the upper town, raised in 1874, by His Holiness, Pius IX to the high position of Basilica Minor, the only one on the continent—owns two bells of antique origin; the Parish Register traces as follows, their birth and christening. "1774—9th October. The Churchwardens return thanks to His Lordship Jean 0. Briand, Bishop, for the present he made of the big bell, which, exclusive of its clapper, weighs 3,255 lbs. Name, LOUISE, by Messieur Montgolfier, Grand Vicaire, and Mdlle de Léry, representing its Matron. Blessed by Monsigneur Louis Masriacheau D'Esgley, coadjutor."

"1778. 28th July. Christening of the bells by M. Noel Voyer, on the 22nd July. Blessed by Sa Grandeur, Monseigneur Briand; the first weigh 1,625 lbs.—named OLIVIER GENEVIÈVE—Godfather, Sa Grandeur, with Madame Chanazard wife of M Berthelot 7 yards of white damask given as a (christening) dress. The second, was called PIERRE MARIE, by M. Panet, Judge of the Court, and his wife Marie Anne Rottot; said bell weighing 1,268 lbs."

A halo of poetry hovers over some of our bells. About 1829, Adam Kidd, a son of song, hailing from Spencer Wood,—a friend of the Laird of the Manor—Hon. H M Percival, wrote some graceful lines on the Church Bells of the General Hospital Convent. This poem was published at the Herald and New Gazette office, in Montreal. In 1830, with the Huron Chief, and other poems by Kidd, and by him inscribed to Tom Moore, "the most popular, most powerful and most patriotic poet of the nineteenth century, whose magic numbers have vibrated to the heart of nations," says the Dedication.

A delightful volume has recently been put forth by a Ursuline Nun, entitled "GLIMPSES OF THE MONASTERY," in which the holy memories of the cloister blend with exquisite bits of word painting; we find in it a glowing sketch of the Convent Bells, and of the objects and scenery, surrounding the "Little World" of the Ursulines. "Marriage Bells" are of course left out.