TROPICAL FOREST.
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The great tropical forests have a totally different character from ours. I reproduce here the plate from Kingsley's At Last. The trees strike all travellers by their magnificence, the luxuriance of their vegetation, and their great variety. Our forests contain comparatively few species, whereas in the tropics we are assured that it is far from common to see two of the same species near one another. But while in our forests the species are few, each tree has an independence and individuality of its own. In the tropics, on the contrary, they are interlaced and interwoven, so as to form one mass of vegetation; many of the trunks are almost concealed by an undergrowth of verdure, and intertwined by spiral stems of parasitic plants; from tree to tree hang an inextricable network of lianas, and it is often difficult to tell to which tree the fruits, flowers, and leaves really belong. The trunks run straight up to a great height without a branch, and then form a thick leafy canopy far overhead; a canopy so dense that even the blaze of the cloudless blue sky is subdued, one might almost say into a weird gloom, the effect of which is enhanced by the solemn silence. At first such a forest gives the impression of being more open than an English wood, but a few steps are sufficient to correct this error. There is a thick undergrowth matted together by wiry creepers, and the intermediate space is traversed in all directions by lines and cords.

The English traveller misses sadly the sweet songs of our birds, which are replaced by the hoarse chatter of parrots. Now and then a succession of cries even harsher and more discordant tell of a troop of monkeys passing across from tree to tree among the higher branches, or lower sounds indicate to a practised ear the neighbourhood of an ape, a sloth, or some other of the few mammals which inhabit the great forests. Occasionally a large blue bee hums past, a brilliant butterfly flashes across the path, or a humming-bird hangs in the air over a flower like, as St. Pierre says, an emerald set in coral, but "how weak it is to say that that exquisite little being, whirring and fluttering in the air, has a head of ruby, a throat of emerald, and wings of sapphire, as if any triumph of the jeweller's art could ever vie with that sparkling epitome of life and light."[30]

Sir Wyville Thomson graphically describes a morning in a Brazilian forest:—

"The night was almost absolutely silent, only now and then a peculiarly shrill cry of some night bird reached us from the woods. As we got into the skirt of the forest the morning broke, but the réveil in a Brazilian forest is wonderfully different from the slow creeping on of the dawn of a summer morning at home, to the music of the thrushes answering one another's full rich notes from neighbouring thorn-trees. Suddenly a yellow light spreads upwards in the east, the stars quickly fade, and the dark fringes of the forest and the tall palms show out black against the yellow sky, and almost before one has time to observe the change the sun has risen straight and fierce, and the whole landscape is bathed in the full light of day. But the morning is yet for another hour cool and fresh, and the scene is indescribably beautiful. The woods, so absolutely silent and still before, break at once into noise and movement. Flocks of toucans flutter and scream on the tops of the highest forest trees hopelessly out of shot, the ear is pierced by the strange wild screeches of a little band of macaws which fly past you like the wrapped-up ghosts of the birds on some gaudy old brocade."[31]

Mr. Darwin tells us that nothing can be better than the description of tropical forests given by Bates.

"The leafy crowns of the trees, scarcely two of which could be seen together of the same kind, were now far away above us, in another world as it were. We could only see at times, where there was a break above, the tracery of the foliage against the clear blue sky. Sometimes the leaves were palmate, or of the shape of large outstretched hands; at others finely cut or feathery like the leaves of Mimosæ. Below, the tree trunks were everywhere linked together by sipos; the woody flexible stems of climbing and creeping trees, whose foliage is far away above, mingled with that of the taller independent trees. Some were twisted in strands like cables, others had thick stems contorted in every variety of shape, entwining snake-like round the tree trunks or forming gigantic loops and coils among the larger branches; others, again, were of zigzag shape, or indented like the steps of a staircase, sweeping from the ground to a giddy height."

The reckless and wanton destruction of forests has ruined some of the richest countries on earth. Syria and Asia Minor, Palestine and the north of Africa were once far more populous than they are at present. They were once lands "flowing with milk and honey," according to the picturesque language of the Bible, but are now in many places reduced to dust and ashes. Why is there this melancholy change? Why have deserts replaced cities? It is mainly owing to the ruthless destruction of the trees, which has involved that of nations. Even nearer home a similar process may be witnessed. Two French departments—the Hautes- and Basses-Alpes—are being gradually reduced to ruin by the destruction of the forests. Cultivation is diminishing, vineyards are being washed away, the towns are threatened, the population is dwindling, and unless something is done the country will be reduced to a desert; until, when it has been released from the destructive presence of man, Nature reproduces a covering of vegetable soil, restores the vegetation, creates the forests anew, and once again fits these regions for the habitation of man.

In another part of France we have an illustration of the opposite process.