On the subject of the correlation of the French and Belgian discoveries as to primitive man, a most interesting and important communication was made by Dupont to the Geological Society of Belgium in 1892. [21] The veteran explorer of the Belgian caves addresses himself in this paper to a careful comparison of the geological relations, animal remains and human relics in these caves, and in the gravels and 'quaternary' clays associated with them. He arrives at the conclusion, which I had already stated, [22] that these deposits are contemporaneous and show similar stages, but that the mammoth age properly so-called, in which the primitive people fed on the mammoth and its companion the woolly rhinoceros, extended to a later date in Belgium than in France, so that the mammoth age of Dupont and the reindeer age of the French archæologists overlap one another. He notes in connection with this that there is evidence of the continued existence of the mammoth in the so-called reindeer age of France, in the discovery in caves of that period of plates of ivory with the portrait of the mammoth engraved on them. It would therefore appear either that the mammoth earlier became extinct or rare in France, perhaps on account of climatal changes, or perhaps because of destruction by man, or that the habits of the French populations changed in such a way as to cause them to confine themselves to smaller game. In either case, we now find that the whole palanthropic age is one period. On the other hand, Dupont agrees with Mortillet that there is a hiatus, physical, palæontological and anthropological, between the so-called palæolithic and neolithic periods, that is, between the palanthropic and neanthropic ages.

[21] Bulletin de la Société Belge de Géologie, janvier 1893. This paper should be studied by all interested in the subject.

[22] Fossil Men.

Dupont holds that the plain-dwellers (Pedionomytes, as he calls them) were the earliest known men, corresponding to the oldest gravel remains of Dawkins and Prestwich, and points out that their implements are in size and form, though not in material and finish, allied to those of the polished stone age, which might thus be regarded as an improved continuation or revival of this first period. This might be read to mean, as above maintained, that the earliest men were peaceful and perhaps in part agricultural, that they were succeeded by lawless, powerful, artistic and savage peoples, and when the latter were swept away that a remnant of the primitive stock repossessed the land. If this proves to be the net result, it will correspond exactly with our old historical beliefs.

I was struck in reading this paper with a remark of Dupont on the unprogressive character of the men of the mammoth age, who seem to have made so little advance in the arts of life during the period of their occupation of Europe. Perhaps he makes too great an estimate of the length of their residence, or does not sufficiently consider how long men about their stage of civilisation have remained at the same point in the historic period. Nor does he consider the possibility of the cave men belonging to ruder tribes of a race which may have inhabited better if more perishable residences elsewhere. In any case, all experience shows that to such a people any great advance in the arts could come only by missionary influence from abroad, or by the appearance of some great inventive genius among themselves; and no good fortune of this kind seems to have happened to the Canstadt or Cro-magnon men, or if it did, they rejected their opportunity, as so many others have since done.

Still, perhaps, we need not pity them too much. They lived in a young and fresh condition of the earth, enjoyed a vigorous health, and were gifted with rare strength and energy. They were bountifully provided for by nature as to food and clothing, were in slavery to no man, lived in families bound together by ties of affection, and were free to migrate over vast territories according to the exigencies of the seasons. They had some taste in dress and ornaments, and no doubt enjoyed their clever carvings on bone and ivory as much as any modern lovers of art their most finished treasures. A Cro-magnon 'brave,' tall, muscular and graceful in movement, clad in well-dressed skins, ornamented with polished shells and ivory pendants, with a pearly shell helmet, probably decked with feathers, and armed with his flint-headed lance and skull-cracker of reindeer antler handsomely carved, must have been a somewhat noble savage, and he must have rejoiced in the chase of the mammoth, the rhinoceros, the bison, and the wild horse and reindeer, and in launching his curiously-constructed harpoons against the salmon and other larger fish that haunted the rivers.

Nor was he destitute of higher hopes. He laid his dead reverently in the bosom of mother earth, with such things as had been pleasant or useful in life, and his rudimentary bible, or 'book of the dead,' must have at least included the idea—'This corruptible shall put on incorruption, this mortal immortality.' That is the meaning of such funeral gifts in every part of the world, and has always been so, as far as we can learn. But the belief in immortality implies also a belief in a God or gods. For if there is a spiritual world for the dead, there must be a Power to care for them there. Whether these beliefs were originally implanted in him when God breathed into his nostrils the breath of life, or were taught to him by special revelation, we do not know, but they were there as a foundation on which he could, with the aid of his sense of right and wrong, build a happy and harmless life. That he did not always do so we have some sad evidence, to be gathered even from his bones; and the testimony of tradition is that his great sin was that of inhuman violence, and it was for this that he was swept away by the Flood, and replaced by men of more peaceful mould, whom but for that catastrophe he would soon have annihilated.

Carthaillac [23] devotes a chapter to the mortuary customs of the men of the quaternary (palanthropic) age. He shows that the statement sometimes made that these men did not care for the dead is entirely incorrect, though he believes that we know comparatively little of their burials, owing to the circumstance that only those in caverns were likely to be preserved or discovered. The discoveries at Spy, in Belgium, show that even the Canstadt race, the lowest in development, and probably in art, interred the bodies of their dead, while a large number of interments of the Cro-magnon race are known. He calls attention to the fact that in all of these the body lies on its side. The hands are brought up to the head or neck, and the knees are bent, sometimes slightly, sometimes very strongly, so as to give the body a crouching posture (p. [79]). The idea seems to have been to place the body in the attitude of sleep or of rest. The deceased was arrayed in the garments and ornaments worn during life, and not infrequently a quantity of red oxide of iron was buried with, or has been scattered over, the body. Flint knives and lances seem often to have been placed with the dead. It is needless to say that all this recalls the burial customs of many rude tribes of men up to modern times.

[23] Homme Préhistorique.

There is some reason to believe that occasionally, at least, the flesh has been partially removed from the bones before interment. This reminds us of the custom of some American tribes, who were in the habit of disinterring the dead after a temporary burial, carefully cleaning the bones, and then placing them wrapped in skins in their tribal ossuaries. It would seem, however, that the primitive men when they removed the flesh did so in a recent state. Perhaps this practice was resorted to only when the body had to be kept for some time, or carried some distance for interment. If the body was disembowelled and the remaining flesh and ligaments dried, it would be reduced very nearly to the condition of the imperfect mummies of the Guanches of the Canaries and of the Peruvians. Thus we may suppose that we have here a rudimentary condition of the art of the embalmer.