After satisfying ourselves about the burglar—who was conspicuous by his absence—we adjourned to our respective rooms, while I went back to see the sister upon whom fright had had such paralyzing effects. There I heard an ominous rattle in the chimney.

"Flora!" said my stage-struck sister, in trembling tones, with one hand raised (à la Lady Macbeth)—and the poor girl under the clothes cowered deeper and deeper.

Two seconds later a large brick rattled down and subsided noisily into the fireplace.

"That is the end of the burglar," said I, and the terrified figure emerged from the bed, brave and reassured. Retiring to my room I recollected the procession, and having made a mental note of the affair went back to bed. Early the next morning I arose and made a complete caricature of the incident of the burglar, which set our family (and friends next day) roaring with laughter when they saw it.

MY BROTHER, WRIOTHESLEY RUSSELL. 1872.

MY SISTER, BEATRICE. 1874.

In those days we used to sketch at Knole House, then in the possession of Lord and Lady Delaware. My mother made some very beautiful little pictures of the interiors there, and several smaller studies. She copied a Teniers so perfectly that one could have mistaken it for the original. The painting was supposed to represent "Peter and the Angels in the Guard Room," and the guards were very conspicuous. On the other hand, as one only discovered a little angel with Peter in the distance, one could almost suppose Teniers had forgotten them until the last minute, and then had finally decided to relegate them to the background. This picture (the original) was sold at Christie's during a sale from Knole several years ago.

Of course the old house was the happy hunting ground of artists; the pictures were mostly fine although some of them were at one time in the hands of a cleaner, by whom they were very much over-restored. A clever artist (and a frequenter of Knole at that time for the purpose of making a series of studies) was Claude Calthrop (brother of Clayton Calthrop the actor and father of the present artist and writer Dion Clayton Calthrop). I was then just beginning to be encouraged to make architectural drawings, and I was making a sketch of the exterior of Knole House when one of the under gardeners came ambling by wheeling a barrow. He paused ... put down the barrow, took off his cap ... scratched his head and said to me, "Er ... why waaste yer toime loike that ... why not taake and worrk loike Oi dew!"