MY FATHER.
From a drawing by George Richmond, R.A.
MY MOTHER.
1909.
"Thhe other day you were so kinnd as to take us to Westminster Abbey we went in a cab and we got out of the cab at poets corner and then went in Westminster Abbey and we saw the tombe of queen Eleanor and then we saw the tomb of queen Elizabeth and Mary and the tomb of Henry VII and his wife lying by him and the tomb of Henry's mother, then we came to the tow little children of James II and in the middle the two little Princes that were smothered in the tower and there bones were found there and and bort to Westminster Abbey and berryd there. We saw the sword which was corrade in the procession after the battle of Cressy and we then saw the two coronation Chairs were the kings and queens were crowned and onder one of the Chairs a large stone under it that Edward brought with hin And we saw the tomb of Gorge II who was the last man who was berried there. Then we went to a bakers shop and we had some buns and wen we had done papa said to the woman three buns one barth bun and ane biscuit and papa forgot his gluves and i said they were in the shop and papa said silly boy why did you not tell me and then to the cloysters were three monks were berried then the senkuary were the duke of York was taken and then the jeruclam chamber and then to Marlborough house were Marlborough lived and then Westminster hall and then judge Gerfys house and the inclosid at S' james park were Charles II fed his duchess and then we came home and had our tee and then went to bed."
A visit to London, which made a far greater impression on me, was made later, when I went to Astley's Theatre. Originally a circus in the Westminster Bridge Road, started by Philip Astley, who had been a light horseman in the army, the theatre was celebrated for equestrian performances. "Astley's," as it was called, formed the subject of one of the "Sketches by Boz." "It was not a Royal Amphitheatre," wrote Dickens, "in those days, nor had Duncan arisen to shed the light of classic taste and portable gas over the sawdust of the circus; but the whole character of the place was the same, the clown's jokes were the same, the riding masters were equally grand ... the tragedians equally hoarse.... Astley's has changed for the better ... we have changed for the worse."
Thackeray mentions the theatre in "The Newcomes." "Who was it," he writes, "that took the children to Astley's but Uncle Newcome?"
Mr. Wilkie Collins and Mr. Pigott (afterwards Examiner of Plays) took us; we had a large box, and the play—Garibaldi—was most enthralling. I was overwhelmed with grief at Signora Garibaldi's death scene. There were horses, of course, in the great battle, and one of these was especially intelligent; limping from an imaginary wound, he took between his teeth from his helpless rider a handkerchief, dipped it in a pool of water, and returned—still limping—to lay the cool linen upon the heated brow of his dying master.
Thrilling with excitement and fear, it never occurred to me that the battle, the wounds, and the deaths following were anything but real; but all my grief did not prevent me from enjoying between the acts my never-to-be-forgotten first strawberry ice.
The Panopticon was another place of amusement, long forgotten, I suppose, except by the very few. The building, now changed and known as the Alhambra, was a place where music and dancing were features of attraction. It was opened in 1852 and bore the name of the Royal Panopticon of Science and Art. I believe it was financed by philanthropic people, but it failed. I remember it because in the centre, where the stalls are now, rose a great fountain with coloured lights playing upon it. There were savages, too, and I shook hands with a Red Indian, with all his war paint gleaming, the scalp locks to awe me, and the feathers standing fiercely erect. He impressed me enormously, and in consequence of my seeing the savages, I became nervously imaginative. I had heard of burglars, and often reviewed in my mind my possible behaviour if I discovered one under my bed, where I looked every night in a sort of fearsome expectation. Religion had been early instilled into me; and, knowing the ultimate fate of wicked sinners, I resolved to tell him he would have to go to hell if he harmed me, and was so consoled with the idea that I went to sleep quite contentedly. A burglar might have been rather astonished had he heard such sentiments from my young lips.