The next morning, as I was dressing I heard a voice outside calling my name. Looking into the garden, I saw my friend, whose normal ruddy colour had changed to a most deathly white.

"What's the matter?" I cried.

In a hoarse voice he besought me to come down, which I did. Taking me to the managerie, he showed me the general scene of destruction; bushes had been trampled down, some torn up by the roots, and everywhere the signs of a great struggle met the eye. As we walked, he told me how, going to the tiger's cage, he had looked for the body. Seeing nothing but the broken bars, he looked into the sleeping compartment where a live tiger had sprung at his face, which he had withdrawn in the very nick of time. We were very puzzled by the fact that the animal was alive and apparently unharmed, and as we paced up and down by the cage, we tried to account for the tiger's reappearance in the sleeping compartment. A reporter appeared a little later on behalf of the local paper, but was ordered off the premises rather peremptorily. As we walked, a groom accosted us, who informed us that he was not one of the regular servants, but an odd man from Newmarket.

"I don't 'arf like it," he began.

"What do you mean?" replied my friend.

"T'aint all right, you bet," he said, with a wink.

After some explanations, it transpired that the groom was trying to tell us that we had been hoaxed, and the gardener's boy was as well as we were and everybody concerned. I could not help laughing when I realized how completely we had been taken in. The elephant, the dogs, and all the menagerie, including the parrots, had been produced to make the uproar and trample down the bushes. The gardener had attended to the shooting, and all the servants were in the plot, and each had been carefully rehearsed (under threat of dismissal) by their mistress for the practical joke played upon her guest. The reporter, I may add, was the chef in disguise.

When I saw Lady Meux, who was pretending to be too ill and upset (owing to the shock to her nerves) to come down, I congratulated her upon her scheme, for I could not but admire the extraordinarily clever acting she had displayed for the furthering of her plot; the tears, the stage hysterics, and the way she had worked herself up into a frenzy until I could not tell whether it was assumed or real, were all marvellously clever. But when I asked her the reason of her plan, she told me her object was to frighten our friend, who was becoming addicted to the habit of taking more alcohol than was good for him, and by dint of doing so, she hoped to startle him into reconsidering his life, and by the means of a good shock, awaken his power of resistance to what was becoming a steady habit. I never discovered what our friend thought, and what the result was, but I know he was really frightened.

As well as her leanings in the direction of warrior heroes, Lady Meux had a keen sense of humour; she wished me to caricature one of the guests who arrived in the house-party after the tiger affair. One evening I was inspired, and did a really funny caricature of him, and thinking she would be pleased with it, as a surprise I placed it on the mantelpiece, hoping she would see it when she came down to dinner. As fate would have it, my subject came in first; and when I arrived a little later, it had gone, so I asked him if he had seen a caricature of himself that I had done at my hostess' special request; as it was not ill-natured, I had no hesitation in referring to it before him.

"Oh," he answered grimly. "I've put it where it deserved to go—in the fire!"