As with the Orleans Club, Twickenham, this club was but a flash in the pan. There came a day when it could no longer be kept up, and so it was with that in Coventry Street (or Piccadilly East, as it was called). Both branches of the Lyric Club, in fact, came suddenly to grief, owing to a great misfortune which it is better not to recall.
First of all held on Sunday nights at the Grosvenor Galleries, the Gallery Club was quite a place to belong to, and for some time was decidedly select in its members. It was also at the time quite a novelty, the best of music being heard and the best of musicians giving their services. The same may be said of the entertainers, and their entertainments. Smoke and talk prevailed during the intervals, and so the evenings passed off cheerily.
When these Galleries of the "Greenery Yallery" period closed their doors, we removed to the rooms of the Institute of Painters in Water Colours where the receptions were held. I forgot here to mention that occasional Sunday nights were graced by the presence of lady guests. Paderewski played on one of these occasions to a crowded and very appreciative audience.
Later on we found our home at the Grafton Galleries, in which suppers were also given, and many a pleasant Sunday evening was spent there. Like every club of the kind, however, it had its day. Perhaps it may have been the difficulty of finding variety among the entertainers or a want of funds to procure the best; but, whatever the reason, there was obviously a falling off of the original members, and the Gallery Club came to an end. Even so, it had been responsible for many evenings that are well worth remembering.
I shall never forget one night at the Grosvenor Gallery when Corney Grain and George Grossmith sat down at the piano together and sang and played the fool. They were then at their very best, and I think that was the night that Weedon and his brother gave their humorous skit on the extraction of teeth. The title I cannot recall; but the performance was so clever that the title doesn't matter.
In later days I joined the Punch Bowl Club, which was organized by a very good fellow named Mr. Percy Wood. He was a man of education and a thorough Bohemian: he had received a partial, but very incomplete, training as a sculptor; but he disliked work, and in the summer time led an idler's life. He would dress himself in old clothes, and go round the country hawking, like a common pedlar. He seemed to consider life under such conditions perfection; and yet he was always a gentleman (if one may use the much misused term), and everybody liked him. He was at one time engaged on a statue of the Prince of Wales, who arranged to call at Mr. Wood's studio. Whether his Royal Highness expected a distinguished company to meet him, or whether Mr. Wood intended to receive his Royal Highness in such a way, I am unable to say, but the Prince arrived to find a "gentleman in possession" at the studio, and Mr. Wood's visitors' book that day must have shown quite unprecedented signatures.
C. BIRCH CRISP. Published in "Mayfair." 1911.
OLIVER LOCKER LAMPSON, M.P. Published in "Mayfair." 1911.