At least, I say I do so. In point of fact, I have merely smiled. Twenty years ago, ten years ago, I should have laughed, and have professed to you that I had merely smiled. A very young man is not content to be very young, nor even a young man to be young: he wants to share the dignity of his elders. There is no dignity in laughter, there is much of it in smiles. Laughter is but a joyous surrender, smiles give token of mature criticism. It may be that in the early ages of this world there was far more laughter than is to be heard now, and that aeons hence laughter will be obsolete, and smiles universal—every one, always, mildly, slightly, smiling. But it is less useful to speculate as to mankind’s past and future than to observe men. And you will have observed with me in the club-room that young men at most times look solemn, whereas old men or men of middle age mostly smile; and also that those young men do often laugh loud and long among themselves, while we others—the gayest and best of us in the most favourable circumstances—seldom achieve more than our habitual act of smiling. Does the sound of that laughter jar on us? Do we liken it to the crackling of thorns under a pot? Let us do so. There is no cheerier sound. But let us not assume it to be the laughter of fools because we sit quiet. It is absurd to disapprove of what one envies, or to wish a good thing were no more because it has passed out of our possession.
But (it seems that I must begin every paragraph by questioning the sincerity of what I have just said) has the gift of laughter been withdrawn from me? I protest that I do still, at the age of forty-seven, laugh often and loud and long. But not, I believe, so long and loud and often as in my less smiling youth. And I am proud, nowadays, of laughing, and grateful to any one who makes me laugh. That is a bad sign. I no longer take laughter as a matter of course. I realise, even after reading M. Bergson on it, how good a thing it is. I am qualified to praise it.
As to what is most precious among the accessories to the world we live in, different men hold different opinions. There are people whom the sea depresses, whom mountains exhilarate. Personally, I want the sea always—some not populous edge of it for choice; and with it sunshine, and wine, and a little music. My friend on the mountain yonder is of tougher fibre and sterner outlook, disapproves of the sea’s laxity and instability, has no ear for music and no palate for the grape, and regards the sun as a rather enervating institution, like central heating in a house. What he likes is a grey day and the wind in his face; crags at a great altitude; and a flask of whisky. Yet I think that even he, if we were trying to determine from what inner sources mankind derives the greatest pleasure in life, would agree with me that only the emotion of love takes higher rank than the emotion of laughter. Both these emotions are partly mental, partly physical. It is said that the mental symptoms of love are wholly physical in origin. They are not the less ethereal for that. The physical sensations of laughter, on the other hand, are reached by a process whose starting-point is in the mind. They are not the less ‘gloriously of our clay.’ There is laughter that goes so far as to lose all touch with its motive, and to exist only, grossly, in itself. This is laughter at its best. A man to whom such laughter has often been granted may happen to die in a work-house. No matter. I will not admit that he has failed in life. Another man, who has never laughed thus, may be buried in Westminster Abbey, leaving more than a million pounds overhead. What then? I regard him as a failure.
Nor does it seem to me to matter one jot how such laughter is achieved. Humour may rollick on high planes of fantasy or in depths of silliness. To many people it appeals only from those depths. If it appeal to them irresistibly, they are more enviable than those who are sensitive only to the finer kind of joke and not so sensitive as to be mastered and dissolved by it. Laughter is a thing to be rated according to its own intensity.
Many years ago I wrote an essay in which I poured scorn on the fun purveyed by the music halls, and on the great public for which that fun was quite good enough. I take that callow scorn back. I fancy that the fun itself was better than it seemed to me, and might not have displeased me if it had been wafted to me in private, in presence of a few friends. A public crowd, because of a lack of broad impersonal humanity in me, rather insulates than absorbs me. Amidst the guffaws of a thousand strangers I become unnaturally grave. If these people were the entertainment, and I the audience, I should be sympathetic enough. But to be one of them is a position that drives me spiritually aloof. Also, there is to me something rather dreary in the notion of going anywhere for the specific purpose of being amused. I prefer that laughter shall take me unawares. Only so can it master and dissolve me. And in this respect, at any rate, I am not peculiar. In music halls and such places, you may hear loud laughter, but—not see silent laughter, not see strong men weak, helpless, suffering, gradually convalescent, dangerously relapsing. Laughter at its greatest and best is not there.
To such laughter nothing is more propitious than an occasion that demands gravity. To have good reason for not laughing is one of the surest aids. Laughter rejoices in bonds. If music halls were schoolrooms for us, and the comedians were our schoolmasters, how much less talent would be needed for giving us how much more joy! Even in private and accidental intercourse, few are the men whose humour can reduce us, be we never so susceptible, to paroxysms of mirth. I will wager that nine tenths of the world’s best laughter is laughter at, not with. And it is the people set in authority over us that touch most surely our sense of the ridiculous. Freedom is a good thing, but we lose through it golden moments. The schoolmaster to his pupils, the monarch to his courtiers, the editor to his staff—how priceless they are! Reverence is a good thing, and part of its value is that the more we revere a man, the more sharply are we struck by anything in him (and there is always much) that is incongruous with his greatness. And herein lies one of the reasons why as we grow older we laugh less. The men we esteemed so great are gathered to their fathers. Some of our coevals may, for aught we know, be very great, but good heavens! we can’t esteem them so.
Of extreme laughter I know not in any annals a more satisfying example than one that is to be found in Moore’s Life of Byron. Both Byron and Moore were already in high spirits when, on an evening in the spring of 1818, they went ‘from some early assembly’ to Mr. Rogers’ house in St. James’s Place and were regaled there with an impromptu meal. But not high spirits alone would have led the two young poets to such excess of laughter as made the evening so very memorable. Luckily they both venerated Rogers (strange as it may seem to us) as the greatest of living poets. Luckily, too, Mr. Rogers was ever the kind of man, the coldly and quietly suave kind of man, with whom you don’t take liberties, if you can help it—with whom, if you can’t help it, to take liberties is in itself a most exhilarating act. And he had just received a presentation copy of Lord Thurloe’s latest book, ‘Poems on Several Occasions.’ The two young poets found in this elder’s Muse much that was so execrable as to be delightful. They were soon, as they turned the pages, held in throes of laughter, laughter that was but intensified by the endeavours of their correct and nettled host to point out the genuine merits of his friend’s work. And then suddenly—oh joy!—‘we lighted,’ Moore records, ‘on the discovery that our host, in addition to his sincere approbation of some of this book’s contents, had also the motive of gratitude for standing by its author, as one of the poems was a warm and, I need not add, well-deserved panegyric on himself. We were, however’—the narrative has an added charm from Tom Moore’s demure care not to offend or compromise the still-surviving Rogers—‘too far gone in nonsense for even this eulogy, in which we both so heartily agreed, to stop us. The opening line of the poem was, as well as I can recollect, “When Rogers o’er this labour bent;” and Lord Byron undertook to read it aloud;—but he found it impossible to get beyond the first two words. Our laughter had now increased to such a pitch that nothing could restrain it. Two or three times he began; but no sooner had the words “When Rogers” passed his lips, than our fit burst out afresh,—till even Mr. Rogers himself, with all his feeling of our injustice, found it impossible not to join us; and we were, at last, all three in such a state of inextinguishable laughter, that, had the author himself been of our party, I question much whether he could have resisted the infection.’ The final fall and dissolution of Rogers, Rogers behaving as badly as either of them, is all that was needed to give perfection to this heart-warming scene. I like to think that on a certain night in spring, year after year, three ghosts revisit that old room and (without, I hope, inconvenience to Lord Northcliffe, who may happen to be there) sit rocking and writhing in the grip of that old shared rapture. Uncanny? Well, not more so than would have seemed to Byron and Moore and Rogers the notion that more than a hundred years away from them was some one joining in their laughter—as I do.
Alas, I cannot join in it more than gently. To imagine a scene, however vividly, does not give us the sense of being, or even of having been, present at it. Indeed, the greater the glow of the scene reflected, the sharper is the pang of our realisation that we were not there, and of our annoyance that we weren’t. Such a pang comes to me with special force whenever my fancy posts itself outside the Temple’s gate in Fleet Street, and there, at a late hour of the night of May 10th, 1773, observes a gigantic old man laughing wildly, but having no one with him to share and aggrandise his emotion. Not that he is alone; but the young man beside him laughs only in politeness and is inwardly puzzled, even shocked. Boswell has a keen, an exquisitely keen, scent for comedy, for the fun that is latent in fine shades of character; but imaginative burlesque, anything that borders on lovely nonsense, he was not formed to savour. All the more does one revel in his account of what led up to the moment when Johnson ‘to support himself, laid hold of one of the posts at the side of the foot pavement, and sent forth peals so loud that in the silence of the night his voice seemed to resound from Temple Bar to Fleet Ditch.’
No evening ever had an unlikelier ending. The omens were all for gloom. Johnson had gone to dine at General Paoli’s, but was so ill that he had to leave before the meal was over. Later he managed to go to Mr. Chambers’ rooms in the Temple. ‘He continued to be very ill’ there, but gradually felt better, and ‘talked with a noble enthusiasm of keeping up the representation of respectable families,’ and was great on ‘the dignity and propriety of male succession.’ Among his listeners, as it happened, was a gentleman for whom Mr. Chambers had that day drawn up a will devising his estate to his three sisters. The news of this might have been expected to make Johnson violent in wrath. But no, for some reason he grew violent only in laughter, and insisted thenceforth on calling that gentleman The Testator and chaffing him without mercy. ‘I daresay he thinks he has done a mighty thing. He won’t stay till he gets home to his seat in the country, to produce this wonderful deed: he’ll call up the landlord of the first inn on the road; and after a suitable preface upon mortality and the uncertainty of life, will tell him that he should not delay in making his will; and Here, Sir, will he say, is my will, which I have just made, with the assistance of one of the ablest lawyers in the kingdom; and he will read it to him. He believes he has made this will; but he did not make it; you, Chambers, made it for him. I hope you have had more conscience than to make him say “being of sound understanding!” ha, ha, ha! I hope he has left me a legacy. I’d have his will turned into verse, like a ballad.’ These flights annoyed Mr. Chambers, and are recorded by Boswell with the apology that he wishes his readers to be ‘acquainted with the slightest occasional characteristics of so eminent a man.’ Certainly, there is nothing ridiculous in the fact of a man making a will. But this is the measure of Johnson’s achievement. He had created gloriously much out of nothing at all. There he sat, old and ailing and unencouraged by the company, but soaring higher and higher in absurdity, more and more rejoicing, and still soaring and rejoicing after he had gone out into the night with Boswell, till at last in Fleet Street his paroxysms were too much for him and he could no more. Echoes of that huge laughter come ringing down the ages. But is there also perhaps a note of sadness for us in them? Johnson’s endless sociability came of his inherent melancholy: he could not bear to be alone; and his very mirth was but a mode of escape from the dark thoughts within him. Of these the thought of death was the most dreadful to him, and the most insistent. He was for ever wondering how death would come to him, and how he would acquit himself in the extreme moment. A later but not less devoted Anglican, meditating on his own end, wrote in his diary that ‘to die in church appears to be a great euthanasia, but not,’ he quaintly and touchingly added, ‘at a time to disturb worshippers.’ Both the sentiment here expressed and the reservation drawn would have been as characteristic of Johnson as they were of Gladstone. But to die of laughter—this, too, seems to me a great euthanasia; and I think that for Johnson to have died thus, that night in Fleet Street, would have been a grand ending to ‘a life radically wretched.’ Well, he was destined to outlive another decade; and, selfishly, who can wish such a life as his, or such a Life as Boswell’s, one jot shorter?
Strange, when you come to think of it, that of all the countless folk who have lived before our time on this planet not one is known in history or in legend as having died of laughter. Strange, too, that not to one of all the characters in romance has such an end been allotted. Has it ever struck you what a chance Shakespeare missed when he was finishing the Second Part of King Henry the Fourth? Falstaff was not the man to stand cowed and bowed while the new young king lectured him and cast him off. Little by little, as Hal proceeded in that portentous allocution, the humour of the situation would have mastered old Sir John. His face, blank with surprise at first, would presently have glowed and widened, and his whole bulk have begun to quiver. Lest he should miss one word, he would have mastered himself. But the final words would have been the signal for release of all the roars pent up in him; the welkin would have rung; the roars, belike, would have gradually subsided in dreadful rumblings of more than utterable or conquerable mirth. Thus and thus only might his life have been rounded off with dramatic fitness, secundum ipsius naturam. He never should have been left to babble of green fields and die ‘an it had been any christom child.’