It was a hushed, tense crowd.
“The poor darlings!” murmured Zuleika, pausing to survey them. “And oh,” she exclaimed, “there won’t be room for all of them in there!”
“You might give an ‘overflow’ performance out here afterwards,” suggested the Duke, grimly.
This idea flashed on her a better. Why not give her performance here and now?—now, so eager was she for contact, as it were, with this crowd; here, by moonlight, in the pretty glow of these paper lanterns. Yes, she said, let it be here and now; and she bade the Duke make the announcement.
“What shall I say?” he asked. “‘Gentlemen, I have the pleasure to announce that Miss Zuleika Dobson, the world-renowned She-Wizard, will now oblige’? Or shall I call them ‘Gents,’ tout court?”
She could afford to laugh at his ill-humour. She had his promise of obedience. She told him to say something graceful and simple.
The noise of the violin had ceased. There was not a breath of wind. The crowd in the quadrangle was as still and as silent as the night itself. Nowhere a tremour. And it was borne in on Zuleika that this crowd had one mind as well as one heart—a common resolve, calm and clear, as well as a common passion. No need for her to strengthen the spell now. No waverers here. And thus it came true that gratitude was the sole motive for her display.
She stood with eyes downcast and hands folded behind her, moonlit in the glow of lanterns, modest to the point of pathos, while the Duke gracefully and simply introduced her to the multitude. He was, he said, empowered by the lady who stood beside him to say that she would be pleased to give them an exhibition of her skill in the art to which she had devoted her life—an art which, more potently perhaps than any other, touched in mankind the sense of mystery and stirred the faculty of wonder; the most truly romantic of all the arts: he referred to the art of conjuring. It was not too much to say that by her mastery of this art, in which hitherto, it must be confessed, women had made no very great mark, Miss Zuleika Dobson (for such was the name of the lady who stood beside him) had earned the esteem of the whole civilised world. And here in Oxford, and in this College especially, she had a peculiar claim to—might he say?—their affectionate regard, inasmuch as she was the grand-daughter of their venerable and venerated Warden.
As the Duke ceased, there came from his hearers a sound like the rustling of leaves. In return for it, Zuleika performed that graceful act of subsidence to the verge of collapse which is usually kept for the delectation of some royal person. And indeed, in the presence of this doomed congress, she did experience humility; for she was not altogether without imagination. But, as she arose from her “bob,” she was her own bold self again, bright mistress of the situation.
It was impossible for her to give her entertainment in full. Some of her tricks (notably the Secret Aquarium, and the Blazing Ball of Worsted) needed special preparation, and a table fitted with a “servante” or secret tray. The table for to-night’s performance was an ordinary one, brought out from the porter’s lodge. The MacQuern deposited on it the great casket. Zuleika, retaining him as her assistant, picked nimbly out from their places and put in array the curious appurtenances of her art—the Magic Canister, the Demon Egg-Cup, and the sundry other vessels which, lost property of young Edward Gibbs, had been by a Romanoff transmuted from wood to gold, and were now by the moon reduced temporarily to silver.