Zuleika Dobson; Or, An Oxford Love Story

by Sir Max Beerbohm

Thus I felt that there were no indelicacy, this time, in watching him. Just as “pluck” comes of breeding, so is endurance especially an attribute of the artist. Because he can stand outside himself, and (if there be nothing ignoble in them) take a pleasure in his own sufferings, the artist has a huge advantage over you and me. The Duke, so soon as Zuleika’s spell was broken, had become himself again—a highly self-conscious artist in life. And now, standing pensive on the doorstep, he was almost enviable in his great affliction.

Through the wreaths of smoke which, as they came from his lips, hung in the sultry air as they would have hung in a closed room, he gazed up at the steadfast thunder-clouds. How nobly they had been massed for him! One of them, a particularly large and dark one, might with advantage, he thought, have been placed a little further to the left. He made a gesture to that effect. Instantly the cloud rolled into position. The gods were painfully anxious, now, to humour him in trifles. His behaviour in the great emergency had so impressed them at a distance that they rather dreaded meeting him anon at close quarters. They rather wished they had not uncaged, last night, the two black owls. Too late. What they had done they had done.

That faint monotonous sound in the stillness of the night—the Duke remembered it now. What he had thought to be only his fancy had been his death-knell, wafted to him along uncharted waves of ether, from the battlements of Tankerton. It had ceased at daybreak. He wondered now that he had not guessed its meaning. And he was glad that he had not. He was thankful for the peace that had been granted to him, the joyous arrogance in which he had gone to bed and got up for breakfast. He valued these mercies the more for the great tragic irony that came of them. Aye, and he was inclined to blame the gods for not having kept him still longer in the dark and so made the irony still more awful. Why had they not caused the telegram to be delayed in transmission? They ought to have let him go and riddle Zuleika with his scorn and his indifference. They ought to have let him hurl through her his defiance of them. Art aside, they need not have grudged him that excursion.

He could not, he told himself, face Zuleika now. As artist, he saw that there was irony enough left over to make the meeting a fine one. As theologian, he did not hold her responsible for his destiny. But as a man, after what she had done to him last night, and before what he had to do for her to-day, he would not go out of his way to meet her. Of course, he would not actually avoid her. To seem to run away from her were beneath his dignity. But, if he did meet her, what in heaven’s name should he say to her? He remembered his promise to lunch with The MacQuern, and shuddered. She would be there. Death, as he had said, cancelled all engagements. A very simple way out of the difficulty would be to go straight to the river. No, that would be like running away. It couldn’t be done.

Hardly had he rejected the notion when he had a glimpse of a female figure coming quickly round the corner—a glimpse that sent him walking quickly away, across the road, towards Turl Street, blushing violently. Had she seen him? he asked himself. And had she seen that he saw her? He heard her running after him. He did not look round, he quickened his pace. She was gaining on him. Involuntarily, he ran—ran like a hare, and, at the corner of Turl Street, rose like a trout, saw the pavement rise at him, and fell, with a bang, prone.

Let it be said at once that in this matter the gods were absolutely blameless. It is true they had decreed that a piece of orange-peel should be thrown down this morning at the corner of Turl Street. But the Master of Balliol, not the Duke, was the person they had destined to slip on it. You must not imagine that they think out and appoint everything that is to befall us, down to the smallest detail. Generally, they just draw a sort of broad outline, and leave us to fill it in according to our taste. Thus, in the matters of which this book is record, it was they who made the Warden invite his grand-daughter to Oxford, and invite the Duke to meet her on the evening of her arrival. And it was they who prompted the Duke to die for her on the following (Tuesday) afternoon. They had intended that he should execute his resolve after, or before, the boat-race of that evening. But an oversight upset this plan. They had forgotten on Monday night to uncage the two black owls; and so it was necessary that the Duke’s death should be postponed. They accordingly prompted Zuleika to save him. For the rest, they let the tragedy run its own course—merely putting in a felicitous touch here and there, or vetoing a superfluity, such as that Katie should open Zuleika’s letter. It was no part of their scheme that the Duke should mistake Melisande for her mistress, or that he should run away from her, and they were genuinely sorry when he, instead of the Master of Balliol, came to grief over the orange-peel.

Them, however, the Duke cursed as he fell; them again as he raised himself on one elbow, giddy and sore; and when he found that the woman bending over him was not she whom he dreaded, but her innocent maid, it was against them that he almost foamed at the mouth.

“Monsieur le Duc has done himself harm—no?” panted Melisande. “Here is a letter from Miss Dobson’s part. She say to me ‘Give it him with your own hand.’”

The Duke received the letter and, sitting upright, tore it to shreds, thus confirming a suspicion which Melisande had conceived at the moment when he took to his heels, that all English noblemen are mad, but mad, and of a madness.

“Nom de Dieu,” she cried, wringing her hands, “what shall I tell to Mademoiselle?”