The god Indra, usually called Ṡakra (Sakka), is, as we have seen, the most popular god of the early Buddhist Pantheon (pp. [51], [207]). He is a friendly deity and never exerts evil influences over men, like Māra. On the contrary, if any good man is in need of his services he descends from his own heaven to render assistance; and the fact of his aid being required is made known to him by his throne becoming hot.
The Dharma-pada (107, 392) mentions Agni, god of fire, and again (48), Antaka, god of death, sometimes identified with Māra or with Yama, ‘ruler in Hell.’ A form of Yama called Yamāntaka is also recognized.
In Ceylon I observed several shrines to Kanda-Kumāra, a form of Skanda (son of Ṡiva), who is said to have received the gift of healing from Buddha.
There also I observed shrines of Saman (sometimes spelt Samanta, sometimes Sumana), the tutelary deity of Adam’s Peak, which is thence called Samanta-kūṭo and Sumana-kūṭo.
Then there were shrines dedicated to a demoniacal goddess called Paṭṭini (regarded sometimes as protecting from small-pox), and to certain good and evil genii, called Năths (Nāthas?) as in Burma.
No doubt the worship of devils and demons existed in Ceylon long before the introduction of either Brāhmanism or Buddhism. At Colombo in 1877 I witnessed a so-called devil-dance, performed late at night before the then Governor, Sir William Gregory.
First, three men dressed in coarse, loose, jet-black dresses, engaged in a wild dance together. They had shaggy hair, blackened faces daubed with white paint, and a set of six or eight long projecting false teeth, which protruded far below the lower lip, sometimes one, sometimes two at a time. Their legs were completely covered with small bells, which rattled like chains when they moved. In their hands they held three flaring torches, branching from one handle. At intervals they increased the glare and smoke from these torches by sprinkling resin upon them.
Their dance was of the wildest description, in a circle, sometimes moving in and out, and crossing each other, and all the while beating the ground violently with their jingling legs, which kept time to the noisy music of tom-toms, flagiolets, horns, etc., played by attendant musicians. These three men were supposed to represent the various forms of typhus fever. At intervals during their dance they assumed frightful black masks with hideous open mouths.
Then with them were two other dancing demons dressed in red, not so hideous in appearance, who also danced holding torches. These represented another form of devil. They danced in the interval of the two performances of the black devils. There were also three men dressed in reddish garments, who formed part of the group and moved about quietly among the others. They were described to me as devil-charmers or exorcisers.
Every disease—every calamity has its presiding demon, and all such demons are the servants of Buddha.