And, indeed, in all probability it was the difficulty of enforcing discipline and order in these immense establishments, without some method of securing obedience to a presiding Head acceptable to all the inmates, that led to that strange re-incarnation or ‘Avatāra’ theory which is one chief distinguishing feature of Lāmism.
The process by which this remarkable theory was developed is so interesting and so important in relation to the subject of the present Lecture that it deserves careful investigation, and to clear the ground we must here make a brief digression and advert to some circumstances in the early history of Tibet and Mongolia, as given in Koeppen’s laborious work.
We learn from him that Nya Khri Tsanpo, who lived in the Yarlung valley, was the first king of Tibet. After several successors came Srong Tsan Gampo. This king was born in 617, and, according to a legend, exhibited at his birth certain marks of perfection like those of Amitābha or Avalokiteṡvara ([p. 198]). He is worshipped as a great Conqueror and Reformer.
In the year 632, or about the time when Muhammad died in Arabia, he began the work of civilizing his subjects. To this end he directed his minister Thumi (or Thonmi) Sambhoṭa to proceed to India, and make himself acquainted with Buddhist writings. This great man was the first to design the Tibetan alphabet on the model of the Indian letters then in use (called Lañćha), but rejecting certain consonants and certain vowels as unsuitable for the representation of Tibetan sounds, and adding six new letters. Hence he was the first to introduce the art of writing along with Buddhism into Tibet.
It may be noted here that Buddhism, to its great credit, has generally given some sort of literary education to the barbarous nations to which it has imparted its own doctrines. It has also made the vernacular of the people its medium of instruction, though it has not always translated its sacred literature or ritualistic formularies into that vernacular.
The first Tibetan author was Thumi Sambhoṭa himself, who is said to have composed a grammar and other books during his sojourn in India. An important work translated by him into the vernacular was the Maṇi Kambum—a Tantra work, alleged to have been revealed by Amitābha and his son Avalokiteṡvara. This book describes the introduction of Buddhism into Tibet as well as the origin of the well-known six-syllabled prayer-formula of Tibet—Om maṇi padme Hūm (see pp. [371]-374). It contains 100,000 precepts.
The teaching of Thumi Sambhoṭa seems to have been of an orthodox character. He may perhaps be regarded as the founder of the strict school of Tibetan Buddhism (already mentioned), which was afterwards called Kadampa, and finally developed into the Yellow-robed sect, as distinguished from the Red. After Thumi Sambhoṭa the propagation of Buddhism in Tibet was chiefly carried on by the two princesses, wives of King Srong Tsan Gampo, called Dolkar and Doljang. They were worshipped under the name Dolma, as forms of the wife of Ṡiva or of the goddess Tārā; one being called the white mother, and the other, the dark; representing the mild and fierce forms of Ṡiva’s consort[124].
The first two Lāma monasteries in Tibet (called Lā brang and Ra mo che, founded about A.D. 650; Edgar, p. 38) were erected at Lhāssa[125] by them or in their honour, and each monastery contained a renowned wonder-working image, which each princess had brought with her (see pp. [440], [441], [492]).
After King Srong Tsan Gampo, Buddhism declined in Tibet. One of his successors, named Khri Srong De Tsan, who was born in 728 A.D. and reigned from 740 to 786, tried to restore it. For this purpose, he sent for religious teachers in great numbers from India. These seem to have brought with them a very corrupt form of Buddhism, which aimed chiefly at counteracting the evil influences of demons by magical spells.
First came Ṡānta Rakshita, with twelve companions from Bengal.