In mimic war (hunting) the Assyrians were proficients. Many hundreds of bas-reliefs, which are more natural because less conventional than those of Egypt, illustrate the chase of the lion, stag, and jungle-swine; the wild horse, ass, and bull. They were equally skilled in the art of war, which is shown in all its phases, the march, the passage of streams, the siege, the battle, the sea-fight, or rather the river-fight, the pursuit, and the punishment of prisoners by torturing, impaling, flaying alive, crucifixion, and ‘tree-planting’ or vivi-interment. The abominable cruelties of these Asiatics, still practised by the Persian, the Kurd, and the ‘unspeakable’ Turk, contrast strongly with the mildness of the African Egyptians. Their walls, single or double, were provided with the fosse and the rampart, and with machicolations, crenelles, and battlements; the last two originally shields like the Egyptian cartouche. The places fortes were attacked by the wheeled tower,[670] the iron-pointed battering ram, the scaling ladder, and the pavoise, or large shield common throughout Europe in the fifteenth and sixteenth centuries.[671] In the field pennons are attached to the lances, and the standard-bearers carry eagles. The action begins with missiles, slings, darts, and arrows; the mace and spear then play their part, and the Sword is never absent. The warriors—who appear on foot or horseback, with gorgeous caparisons, in chariots or swimming with floats of inflated skins—wear helmets of many shapes, crested, crescented, capped with the fleur-de-lys and perfectly plain; some are close-fitting with ear-flaps, the common skull-cap (namms) of Ancient Egypt, and the Indian Kan-top. The head-gear usually ended in a metal point—the pickelhaube. The sculptors show imbricated armour or hauberks (mail-coats) of the Norman type, with stockings of iron- (?) rings, gaiters, and boots laced up in front. The shields, either circular or rounded at the top and straight at the bottom, cover the whole body.
THE ASSYRIAN SWORD.
The Assyrian Sword, like the Egyptian, is of four principal shapes. One, a long poniard of Nilotic form, is carried by all classes from king to slinger. The other (Malmulla, ? fig. 206, 3), by some translated ‘falchion,’ appears slightly curved, not like the Turkish scymitar, but with the half-bend of the Japanese and the Indian Talwár. The curved blades in the bas-reliefs mostly characterise conquered peoples. The third is the Sa-pa-ra or Khopsh, of which an illustration will be given (p. 208); and the fourth is a club-shaped blade thickening at the end, which is almost pointless.[672] In the cuneiforms a ‘double Sword’ is often mentioned: it may be of the kind called by the Greeks ‘Chelidonian’ (chap. ix. and xi.).[673] Fancy weapons appear in the bas-reliefs—for instance, the Sword from the Nineveh palace of the Sardanapalus-reign, b.c. 1000 (fig. 210).
Fig. 206.—1. Babylonian Bronze Dagger; 2, 3. Assyrian Swords (Layard); 4. Assyrian Bronze Sword (bas-relief in Palace of Khorsabad, reign of Sargon, b.c. 721–706).
Fig. 207.—Dagger-Sword in Sheath.
Fig. 208.—Dagger-Sword.
