[594] I shall notice Assyrian Arms in chap. x.
[595] By a curious feat of etymology, this word, or rather the German ‘Philister’ (confounded with Balestarius or Balestæus, a crossbow-man, the militia of small artisans?) has come to signify in modern parlance one indifferent to ‘intellectual interest’ and the ‘higher culture.’ As applied to the enemy it is simply Prig writ large.
[596] The Old Testament in the Jewish Church, p. 126, by the Rev. W. Robertson Smith (Blacks, Edinburgh, 1881).
[597] Napoleon Buonaparte was right in attributing the instability of the great empires (Egypt, Babylon, Assyria) bordered by the Bedawin, to the destructive action of the Arab race: ‘That most mischievous nation whom it is never desirable to have either for friends or enemies’ (Ammian. Marcell. xiv. 4). I have enlarged upon this subject in Unexplored Syria (i. 210). The first noted outswarming was of the Hyksos or Shepherd-Kings (b.c. 1480 to 1530?). Another, under the influence of Mohammed the Apostle of Allah, changed the condition of the Old World; and in the present day, Turkish dominion in the regions frontiered by Arabia is being seriously threatened. Hence Ibn Khaldún of Tunis, who in a.d. 1332 began to write philosophical history, assigns to empire in the East three generations (= 120 years) and three several steps. The first, youth, is of growth (campaigning and annexing); the religion being fanaticism and the form of government a limited monarchy of a semi-republican type. The second, manhood, is a period of ‘rest and be thankful,’ of not ‘stirring up things quiet’; of enjoyment, of easy scepticism, of luxury, of despotism, The third, age, is decline and fall, the triumph of financiers and capitalists; of aversion from war and from ‘territorial aggrandisement’; it is distinguished by employing mercenaries, by religious disbelief, by tyrannic rule. (Ibn Chaldun und seine Culturgeschichte, Baron A. von Kremer. Wien.)
[598] This has apparently been done by the Rev. Mr. Porter, the author of that unpraiseworthy Murray’s Handbook. His Strabo had told him that Gaza lay seven stadia or furlongs from the sea; and St. Jerome that a new town had been built. Yet we are led three miles from the shore to modern Ghazzah, and are gravely told of Moslem absurdities concerning the Makám or tomb of Samson. The old port of which the Ancients speak has evidently been buried by the sands which are attacking Bayrút, and the only survivor of the past may be the site of Shaykh Ijlin on the coast, south of the Mínat or present roads. In noticing Askelon, Mr. Porter tells us all about the old story of Ascalonia, Scallion, Shalot: nothing about the Egyptian Ac-qa-li-na. For a third edition the learned author should take the trouble to consult Brugsch Pasha’s Egypto-Syrian studies.
[599] See chap. iv.
[600] Cyprus, before quoted.
[601] Aphrodite or Venus (Urania and Pandemos, Porné and Hetæra), at once the feminine principle in nature, the original mother and the idea of womanly beauty, was a universal personage. In Egypt she was Athor the Goddess of Pleasure, and Ashtar in Nilotic Mendes. Amongst the Arabs she became Beltis, Baaltis the feminine of Bel or Ba’al, and Alitta (Al-ilat the goddess); among the Sidonians Ashtoreth (1 Kings xi. 33); in Phœnicia, Ishtar and Astarte, which Gesenius takes to be a Semitisation of the Persian Sitáreh, a star (i.e. Venus); in Byblos, Dionæa and Dione; in other parts of Syria, Derceto, Atergatis (Ta-ur-t, Thoueris), and Nani, the latter still surviving in the Bibi Nani (Lady Venus) of Afghanistan. In Cyprus she was Anat, Tanat, or Tanith (Ta-neith = Athene?); in Persia and Armenia Mítra (Herod. i. 131), Tanata, and Anaitis = Anahid, the planet Venus; and in Carthage, Tarnt Pen Baal.
[602] In Heb. Kinnúr, a lyre of six to nine strings resembling the Nubian article. Hence, probably, κιθάρα, Cithara, Chitarra, Guitar, Zither; but there is a modification by the Persian Sih-tárah or ‘the three-stringed.’
[603] Thus in Jeremiah (xxiii. 29), ‘Is not my word like as a fire? saith the Lord; and like a hammer that breaketh the rock in pieces?’