St. James's Coffee-house, August 10.

Letters from Brussels of the 15th instant, N.S., say, that Major-General Ravignan returned on the 8th with the French king's answer to the intended capitulation for the citadel of Tournay; which is, that he does not think fit to sign that capitulation, except the Allies will grant a cessation of arms in general, during the time in which all acts of hostility were to have ceased between the citadel and the besiegers. Soon after the receipt of this news, the cannon on each side began to play. There are two attacks against the citadel, commanded by General Lottum and General Schuylemberg, which are both carried on with great success; and it is not doubted but the citadel will be in the hands of the Allies before the last day of this month. Letters from Ipres say, that on the 9th instant, part of the garrison of that place had mutinied in two bodies, each consisting of two hundred; who being dispersed the same day, a body of eight hundred appeared in the market-place at nine the night following, and seized all manner of provisions; but were with much difficulty quieted. The governor has not punished any of the offenders, the dissatisfaction being universal in that place; and it is thought, the officers foment those disorders; that the Ministry may be convinced of the necessity of paying those troops, and supplying them with provisions. These advices add, that on the 14th the Marquis d'Este passed express through Brussels from the Duke of Savoy, with advice, that the army of his royal highness had forced the retrenchments of the enemy in Savoy, and defeated that body of men which guarded those passes under the command of the Marquis de Thouy.


FOOTNOTES:

[45] Perhaps this article is by Addison; see note to No. 50.

[46] The name of a character in Jonson's "Silent Woman."

[47] A game of cards played by three persons, of which particulars will be found in Pope's "Rape of the Lock."

[48] In the Spectator, No. 42, Addison ridiculed the way in which dignity was sought for the hero on the stage by means of grand dresses and guards with halberts and battleaxes. "Can all the trappings or equipage of a king or hero give Brutus half that pomp and majesty which he receives from a few lines in Shakespeare?"