The foremost seemed something elder and of a more composed countenance than the rest, who all appeared to be under her direction. Her name was Womanhood. On one side of her sat Shamefacedness, with blushes rising in her cheeks, and her eyes fixed upon the ground: on the other was Cheerfulness, with a smiling look, that infused a secret pleasure into the hearts of all that saw her. With these sat Modesty, holding her hand on her heart; Courtesy, with a graceful aspect, and obliging behaviour; and the two sisters, who were always linked together, and resembled each other, Silence and Obedience.
Thus sat they all around in seemly rate,
And in the midst of them a goodly maid
Even in the lap of Womanhood there sat,
The which was all in lily-white arrayed,
Where silver streams among the linen strayed;
Like to the morn, when first her shining face
Hath to the gloomy world itself bewrayed.
That same was fairest Amoret in place,
Shining with beauty's light, and heavenly virtue's grace.
As soon as I beheld the charming Amoret, my heart throbbed with hopes. I stepped to her, and seized her hand; when Womanhood immediately rising up, sharply rebuked me for offering in so rude a manner to lay hold on a virgin. I excused myself as modestly as I could, and at the same time displayed my shield; upon which, as soon as she beheld the god emblazoned with his bow and shafts, she was struck mute, and instantly retired.
I still held fast the fair Amoret, and turning my eyes towards the goddess of the place, saw that she favoured my pretensions with a smile, which so emboldened me, that I carried off my prize.
The maid, sometimes with tears, sometimes with smiles, entreated me to let her go: but I led her through the temple-gate, where the goddess Concord, who had favoured my entrance, befriended my retreat.
This allegory is so natural, that it explains itself. The persons in it are very artfully described, and disposed in proper places. The posts assigned to Doubt, Delay, and Danger, are admirable. The Gate of Good Desert has something noble and instructive in it. But above all, I am most pleased with the beautiful group of figures in the corner of the temple. Among these, Womanhood is drawn like what the philosophers call a universal nature, and is attended with beautiful representatives of all those virtues that are the ornaments of the female sex, considered in its natural perfection and innocence.
FOOTNOTES:
[2] This paper may be by John Hughes, who published an edition of Spenser in 1715.
[3] In the "Rehearsal," Act I.