Steele's income was increased by £300 a year in January, 1710, when he was appointed a Commissioner of the Stamp Office. At that time there was great excitement about the pending trial of the Tory, Dr. Sacheverell, two of whose sermons were condemned as seditious libels, reflecting on the Queen, the Revolution, and the Protestant succession. Sacheverell was found guilty in March and forbidden to preach for three years, but the sentence was nominal, and the Tories were in reality triumphant. In June Sunderland, the Duke of Marlborough's son-in-law, was dismissed, and in August Godolphin was called upon to give up the seals, and Harley became Chancellor of the Exchequer, and practically head of the Government. Papers satirising Harley had appeared in the Tatler in July, and on September 10 Swift, who had just returned to England, wrote to Esther Johnson, "Steele will certainly lose his Gazetteer's place, all the world detesting his engaging in politics." A few days later Whig statesmen were turned out in favour of the Earl of Rochester, the Duke of Buckingham, and Henry St. John, and in October Steele was deprived of his place, or, as Swift afterwards stated, resigned to avoid being discarded.
The Tory Examiner had been established in August; in November Swift contributed his first paper. He still met Addison and Steele as friends, but not so often as formerly, and he says he intervened with Harley in favour of Steele's retention of his office of Commissioner. The Ministry were by no means desirous of quarrelling with a popular writer, and Steele kept this post until 1713. The Tatler came to a sudden end on January 2, 1711, perhaps as the result of a compact with the Government. Even Addison appears not to have been consulted when this step was taken.
VII.
It was commonly said that Steele had given up the Tatler through want of matter. How entirely erroneous this statement was is shown by the appearance, two months later (March 1, 1711), of the first number of the Spectator, which was issued daily until December 6, 1712. Addison commenced it with a description of the Spectator himself; in the second number Steele gave an account of the club where the plan of the work was supposed to be arranged, and drew the first sketch of its members—Sir Roger de Coverley, the country gentleman; Sir Andrew Freeport, the merchant; Captain Sentry, the soldier; Will Honeycomb, the fine gentleman about town; and the clergyman. The most important of the papers relating to Sir Roger de Coverley are by Addison, who was at his best in the Spectator, of which he wrote 274 numbers, while Steele was responsible for 236. The world, however, owes Addison to Steele, who rightly said, "I claim to myself the merit of having extorted excellent productions from a person of the greatest abilities, who would not have let them appear by any other means." Even Swift wrote that Steele seemed to have gathered new life, and to have a new fund of wit. Until the passing of the Stamp Act in August, 1712, when the price was necessarily raised, the circulation seems to have been nearly 4,000.
Among many other subjects Steele again wrote numerous excellent papers on the stage. There is the well-known account of Estcourt's death, and there are admirable criticisms. Of Etherege's popular play, Sir Foppling Flutter, he said that it was "a perfect contradiction to good manners, good sense, and common honesty"; and of Beaumont and Fletcher's Scornful Lady, that no beauty would atone for the meanness of giving "a scandalous representation of what is reputable among men, that is to say, what is sacred." Elsewhere he remarked that "it is not to be imagined what effect a well-regulated stage would have upon men's manners," and that it is in the people themselves "to raise this entertainment to the greatest height."
Swift was now quite estranged from Addison and Steele, though of course they were civil when they met. In June, 1711, Steele appears to have become acquainted with Pope, and Addison wrote a flattering notice of the young poet's Art of Criticism in the Spectator. Party pamphleteering was now being carried to a hitherto unprecedented extent, and Swift wrote constantly himself, and supplied hints to others. Marlborough was dismissed, and the object of the Government was to bring the war to an end by persuading the people to agree to a treaty whose terms were less satisfactory than might have been expected. At the same time some of the party were secretly plotting for the restoration of the Stuarts, and among these appears to to have been Harley, now Earl of Oxford. Steele wrote a pamphlet in praise of Marlborough, for whom he always showed great admiration.
A son, Eugene, was born in March, 1712; Steele was then living in Brownlow Street, Holborn. In June he had a cottage on Haverstock Hill, and there the members of the Kitcat Club called for him on their way to the Upper Flask at Hampstead, where they met in the summer. In July he had taken a house in Bloomsbury Square, and next month he felt relieved by the renewal of his employments, and lived "in the handsomest manner." But all the time actions for debt were hanging over him, and he had hastily to withdraw a scheme which was found to be illegal, for "getting money" by means of a "Multiplication Table," to be worked in connection with the State Lottery.
The Spectator was brought to a close in December, 1712, and in the following month George Berkeley, afterwards Bishop of Cloyne, but then a young man just arrived in London, wrote that Steele, who had been among the first to welcome him, was ill with gout, but was, "as I am informed, writing a play, since he gave over the Spectators." Steele was very hospitable to the young philosopher, and Berkeley remarks that there appeared "in his natural temper something very generous, and a great benevolence to mankind." By the death of Mrs. Scurlock, Steele had come into £500 a year, which made it more justifiable for him to maintain his "handsome and neatly furnished house," where the table, servants, coach, &c., were "very genteel."
A new periodical, The Guardian, was begun on March 12, 1713, and was issued daily until October. Steele wrote 82 of the 175 numbers, and Addison, Berkeley and Pope were among the contributors. The periodical was written on the same lines as the Spectator, and many of the papers are excellent, but with the fortieth number Steele was drawn into a political quarrel with the Examiner, and the Guardian lost its value as literature. Politics ran so high that the representatives of each party applied to themselves the noble sentiments in Addison's tragedy, Cato, which was produced on April 14, and thus united in applauding the piece. Steele had undertaken to fill the house, and he wrote verses, afterwards prefixed to the play, in which he alluded to the fact that he had once inscribed Addison's name to his own "light scenes"; they, however, would soon die, and he therefore wished to "live, joined to a work of thine."
Attacks in the Examiner led Steele to complain of articles by "an estranged friend or an exasperated mistress," i.e. Swift or Mrs. Manley. Swift denied that he had at this time any hand in the Examiner, and a bitter quarrel arose between the two men. In June Steele resigned his position as Commissioner of the Stamp Office, and soon afterwards gave up his pension as a servant of the late Prince. On August 25 he was elected M.P. for the borough of Stockbridge, Hampshire. In the Guardian Steele had insisted that as one of the conditions of the peace the nation expected the demolition of Dunkirk; and this was dwelt upon at greater length in a pamphlet called The Importance of Dunkirk considered. A storm of controversial literature followed these declarations, and, in October the Guardian gave place to the Englishman, which was devoted almost entirely to politics. Addison said he was "in a thousand troubles for poor Dick," and hoped that his zeal for the public would not be ruinous to himself. Swift wrote bitter attacks—The Importance of the Guardian considered and The First Ode of the Second Book of Horace Paraphrased and addressed to Richard St—le, Esq., in the latter of which he suggested that when Steele had settled the affairs of Europe he might turn to Drury Lane, and produce the play with which he had long threatened the town, and which had for plot—