W. S. This no doubt refers to a second collection of sonnets by William Smith. The projected volume is not extant. [438a]
Robert Tofte’s ‘Laura,’ 1597.
In 1597 there came out a similar volume by Robert Tofte, entitled ‘Laura, the Joys of a Traveller, or the Feast of Fancy.’ The book is divided into three parts, each consisting of forty ‘sonnets’ in irregular metres. There is a prose dedication to Lucy, sister of Henry, ninth Earl of Northumberland. Tofte tells his patroness that most of his ‘toys’ ‘were conceived in Italy.’ As its name implies, his work is a pale reflection of Petrarch. A postscript by a friend—‘R. B.’—complains that a publisher had intermingled with Tofte’s genuine efforts ‘more than thirty sonnets not his.’ But the style is throughout so uniformly tame that it is not possible to distinguish the work of a second hand.
Sir William Alexander’s ‘Aurora.’
To the same era belongs Sir William Alexander’s ‘Aurora,’ a collection of a hundred and six sonnets, with a few songs and elegies interspersed on French patterns. Sir William describes the work as ‘the first fancies of his youth,’ and formally inscribes it to Agnes, Countess of Argyle. It was not published till 1604. [438b]
Sir Fulke Greville’s ‘Cælica.’
Sir Fulke Greville, afterwards Lord Brooke, the intimate friend of Sir Philip Sidney, was author of a like collection of sonnets called ‘Cælica.’ The poems number a hundred and nine, but few are in strict sonnet metre. Only a small proportion profess to be addressed to the poet’s fictitious mistress, Cælica. Many celebrate the
charms of another beauty named Myra, and others invoke Queen Elizabeth under her poetic name of Cynthia (cf. Sonnet xvii.) There are also many addresses to Cupid and meditations on more or less metaphysical themes, but the tone is never very serious. Greville doubtless wrote the majority of his ‘Sonnets’ during the period under survey, though they were not published until their author’s works appeared in folio for the first time in 1633, five years after his death.
Estimate of number of love-sonnets issued between 1591 and 1597.
With Tofte’s volume in 1597 the publication of collections of love-sonnets practically ceased. Only two collections on a voluminous scale seem to have been written in the early years of the seventeenth century. About 1607 William Drummond of Hawthornden penned a series of sixty-eight interspersed with songs, madrigals, and sextains, nearly all of which were translated or adapted from modern Italian sonnetteers. [439a] About 1610 John Davies of Hereford published his ‘Wittes Pilgrimage . . . through a world of Amorous Sonnets.’ Of more than two hundred separate poems in this volume, only the hundred and four sonnets in the opening section make any claim to answer the description on the title-page, and the majority of those are metaphysical meditations on love which are not addressed to any definite person. Some years later William Browne penned a sequence of fourteen love-sonnets entitled ‘Cælia’ and a few detached sonnets of the same type. [439b] The dates of production of Drummond’s, Davies’s, and Browne’s sonnets exclude them from the present field of view. Omitting them, we find that between 1591 and 1597 there had been printed nearly twelve hundred sonnets of the amorous kind. If to these we add Shakespeare’s poems, and make allowance for others which, only circulating in manuscript, have not reached us, it is seen that more than two hundred love-sonnets were produced in each of the six years under survey. France and Italy directed their literary energies in like direction during nearly the whole of the century, but at no other